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 主题:实拍外国油画的名家名作——《森林风景与车上的嬉戏者》梅恩德特·霍贝玛(荷兰)  [ 主题管理员: ZHJJUN ]
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这几年走了一些国家,除领略异国风土人情、欣赏自然风光外,参观知名的博物馆、艺术馆和美术馆也成了不可缺少的观光项目。在这些艺术殿堂中看到了各种形式珍品让人得到极大的享受,被人类的这些瑰丽遗产深深的震撼!其中尤以油画给人留下的印象最深。油画题材经典、色彩丰富、层次细腻、形象逼真,在现场观看油画特别是那些大师的经典作品,会给人以强烈的视觉冲击力!随手拍下了一些展品,其中不乏各国著名画家和一些知名作品,整理了一下发这个帖子。
在博物馆、艺术馆和美术馆中拍摄画作不是一件容易的事情,虽然被拍的对象是静物,但难度依然很大,其中的经验教训待以后在帖子中慢慢道来。
对于油画的名家名作不同的人会有不同的标准,为了让大家能够欣赏到更多的画作,把标准放在馆藏作品上。发的画作大都是各个博物馆、艺术馆、美术馆的展品和藏品,也有一些基金会或者私人收藏拿出来展览的作品,请各位影友一饱眼福。


《无名女郎》 作者  伊万 ·  克拉姆斯科依(俄国)


《三套车(运水的童工)》 作者   瓦西里 · 彼洛夫(俄国)


《基督显圣》  作者   亚历山大 · 伊万诺夫  (俄国)  


《近卫军临刑的早晨(又名火枪手行刑日的清晨)》  作者 瓦西里 · 苏里科夫 (俄国)


《扎波罗热人给土耳其苏丹回信》  作者   伊利亚 · 列宾(俄罗斯)


《不相称的婚姻》   作者     V · V · 普基廖夫(俄罗斯)


《安东尼 · 扎拉特夫人(女演员安东妮  · 莎拉德肖像)》  作者   戈雅 (西班牙)


《跨越阿尔卑斯山圣伯纳隘道的拿破仑》  作者  雅克 · 路易 · 大卫  (法国)


agnostiker 发布——《珍妮(斜倚裸体)》  作者   巴勃罗 · 毕加索(西班牙)


情枭的黎明发布——《倒牛奶的女人》  作者   约翰内斯 · 维米尔(荷兰)


情枭的黎明发布——《戴珍珠耳环的少女》  作者   约翰内斯 · 维米尔(荷兰)


霞光一道发布——《林中仙女与森林之神》  作者   威廉 · 阿道夫 · 布格罗(法国)
本帖最后由 ZHJJUN 于 2018-1-18 19:14 编辑
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ZHJJUN 发表于 2018-1-20 19:17
Also in 1668, and presumably through the connection with his wife's ex-employer, he took the well-paid position of "wine-gauger" for the Amsterdam octroi, assessing and collecting local taxes on wine, holding this until his death. It is clear that his painting greatly reduced after this, but it did not end completely, as used to be thought. The quality of his work becomes uneven, though there are very successful late works, including The Avenue at Middelharnis, dated 1689 and one of his last paintings.[7] After 1672 the Dutch art market "virtually collapsed" for the rest of the century, and other artists of his approximate generation produced much less, including Johannes Vermeer, Pieter de Hooch and Nicolaes Berchem.
The Hobbema family lived in the Rozengracht in the Jordaan neighbourhood, as had Rembrandt in his later and impoverished days, as well as Adam Pynacker, Jacob van Loo, Cornelis Holsteyn and other artists. Rembrandt, Frans Hals, Jacob Ruysdael, and Hobbema all died in relative poverty, after they had fallen from fashion, and in Hobbema's case after the Dutch art market had largely collapsed.
2018-01-21 19:05
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ZHJJUN 发表于 2018-1-19 19:08
The couple had two children, who pre-deceased their father. In 1704 Eeltije died, and was buried in the paupers' section of the Leiden cemetery at Amsterdam. Hobbema himself survived till December 1709, and was buried on the 14th of that month in the paupers' section of the Westerkerk cemetery at Amsterdam.
Also in 1668, and presumably through the connection with his wife's ex-employer, he took the well-paid position of "wine-gauger" for the Amsterdam octroi, assessing and collecting local taxes on wine, holding this until his death. It is clear that his painting greatly reduced after this, but it did not end completely, as used to be thought. The quality of his work becomes uneven, though there are very successful late works, including The Avenue at Middelharnis, dated 1689 and one of his last paintings.[7] After 1672 the Dutch art market "virtually collapsed" for the rest of the century, and other artists of his approximate generation produced much less, including Johannes Vermeer, Pieter de Hooch and Nicolaes Berchem.
2018-01-20 19:17
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ZHJJUN 发表于 2018-1-17 19:11
Hobbema married at the age of thirty, to Eeltije Vinck from Gorcum, a maidservant to the burgomasterLambert Reynst, at this point an important political figure in the "republican" Dutch States Party as brother-in-law to the De Graeff brothers (but soon to lose office and influence in the Rampjaar of 1672). She was four years older than him. The wedding was in the Oude Kerk (Old Church) at Amsterdam, on 2 November 1668. Witnesses to the marriage were the bride's brother Cornelius Vinck and Jacob van Ruisdael.
The couple had two children, who pre-deceased their father. In 1704 Eeltije died, and was buried in the paupers' section of the Leiden cemetery at Amsterdam. Hobbema himself survived till December 1709, and was buried on the 14th of that month in the paupers' section of the Westerkerk cemetery at Amsterdam.
2018-01-19 19:08
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hys138 发表于 2018-1-17 22:33
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谢谢支持!
2018-01-18 19:15
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2018-01-17 22:33
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ZHJJUN 发表于 2018-1-16 19:20
Hobbema's signed pictures come from 1658 to 1689. For a considerable period it was profitable to pass off Hobbemas as Ruisdaels, and Hobbema's name was probably removed from several of his works. Hobbema seems to have painted the figures on a number of Ruisdael's paintings; they were recognised as a weakness of the master. They may have travelled together a short way across the German border in 1661, via the Veluwe, Deventer and Ootmarsum.
Hobbema married at the age of thirty, to Eeltije Vinck from Gorcum, a maidservant to the burgomasterLambert Reynst, at this point an important political figure in the "republican" Dutch States Party as brother-in-law to the De Graeff brothers (but soon to lose office and influence in the Rampjaar of 1672). She was four years older than him. The wedding was in the Oude Kerk (Old Church) at Amsterdam, on 2 November 1668. Witnesses to the marriage were the bride's brother Cornelius Vinck and Jacob van Ruisdael.
2018-01-17 19:11
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ZHJJUN 发表于 2018-1-15 19:15
Hobbema was born and died in Amsterdam. The son of a carpenter named Lubbert Meyndertsz, he adopted the surname Hobbema quite early on, although it is not known why. He spent a period in an orphanage from 1653, but by about two years later he had left, and soon became the only documented pupil of the leading Amsterdam landscapist, Jacob van Ruisdael, whose influence was to dominate his work. Jan van Kessel may also have been a pupil of Ruisdael; he was close to Hobbema, who was godfather to his child in 1675.
Hobbema's signed pictures come from 1658 to 1689. For a considerable period it was profitable to pass off Hobbemas as Ruisdaels, and Hobbema's name was probably removed from several of his works. Hobbema seems to have painted the figures on a number of Ruisdael's paintings; they were recognised as a weakness of the master. They may have travelled together a short way across the German border in 1661, via the Veluwe, Deventer and Ootmarsum.
2018-01-16 19:20
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ZHJJUN 发表于 2018-1-14 19:14
The majority of his mature works come from the 1660s; after he married and took a job as an exciseman in 1668 he painted less, and after 1689 apparently not at all. He was not very well known in his lifetime or for nearly a century after his death, but became steadily more popular from the last decades of the 18th century until the 20th century.
Hobbema was born and died in Amsterdam. The son of a carpenter named Lubbert Meyndertsz, he adopted the surname Hobbema quite early on, although it is not known why. He spent a period in an orphanage from 1653, but by about two years later he had left, and soon became the only documented pupil of the leading Amsterdam landscapist, Jacob van Ruisdael, whose influence was to dominate his work. Jan van Kessel may also have been a pupil of Ruisdael; he was close to Hobbema, who was godfather to his child in 1675.
2018-01-15 19:15
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ZHJJUN 发表于 2018-1-13 19:21
Hobbema was a pupil of Jacob van Ruisdael, the pre-eminent landscape painter of the Dutch Golden Age, and in his mature period produced paintings developing one aspect of his master's more varied output, specializing in "sunny forest scenes opened by roads and glistening ponds, fairly flat landscapes with scattered tree groups, and water mills", including over 30 of the last in paintings.
The majority of his mature works come from the 1660s; after he married and took a job as an exciseman in 1668 he painted less, and after 1689 apparently not at all. He was not very well known in his lifetime or for nearly a century after his death, but became steadily more popular from the last decades of the 18th century until the 20th century.
2018-01-14 19:14
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ZHJJUN 发表于 2018-1-12 19:17
Meindert Hobbema (bapt. October 31, 1638 – December 7, 1709), was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis (1689, National Gallery, London), shows a different type of scene.
Hobbema was a pupil of Jacob van Ruisdael, the pre-eminent landscape painter of the Dutch Golden Age, and in his mature period produced paintings developing one aspect of his master's more varied output, specializing in "sunny forest scenes opened by roads and glistening ponds, fairly flat landscapes with scattered tree groups, and water mills", including over 30 of the last in paintings.
2018-01-13 19:21
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ZHJJUN 发表于 2018-1-4 20:00
《森林风景与车上的嬉戏者》 作者:梅恩德特 · 霍贝玛(荷兰)

Meindert Hobbema (bapt. October 31, 1638 – December 7, 1709), was a Dutch Golden Age painter of landscapes, specializing in views of woodland, although his most famous painting, The Avenue at Middelharnis (1689, National Gallery, London), shows a different type of scene.
2018-01-12 19:17
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ZHJJUN 发表于 2018-1-7 19:02
乡间的宁静别有情趣,令人陶醉。凡是一幅好的风景画,总是情与景相交融的。霍贝玛是一位对故乡怀有浓厚情感的田园风景画家。他一生的作品虽然不多,可是对每一幅画,他都作实地观察,认认真真地去体验大自然的美与诗意。
由于这幅画成功地表现了焦点透视的技法,所以在美术技法教学上一直被用来作为古典的示范作品。荷兰绘画题材的多样性,象一面镜子反映着荷兰社会生活的丰富性,在风景画方面,这两位大师——雷斯达尔、霍贝玛,则给我们展示了荷兰农村大自然的丰富多彩。
2018-01-11 19:26
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ZHJJUN 发表于 2018-1-6 19:11
霍贝玛是荷兰风景画家中最著名的画家之一,鲁伊斯达尔的学生,在技法上受到业师的影响是不言而喻的,但最后形成的艺术风格并不相同,也没有如鲁伊斯达尔那样多产。一般说,鲁伊斯达尔的风景画情调倾向于忧郁和悲凉,而霍贝玛的画面则显得明朗和素朴些,也洋溢着一种较为欢快的气氛。这主要是,前者多描绘荒丘与沼泽,银灰色的天空和苍茫的平原;而后者的每一幅画,就象一首牧歌,有淡雅的泥土气。
乡间的宁静别有情趣,令人陶醉。凡是一幅好的风景画,总是情与景相交融的。霍贝玛是一位对故乡怀有浓厚情感的田园风景画家。他一生的作品虽然不多,可是对每一幅画,他都作实地观察,认认真真地去体验大自然的美与诗意。
2018-01-07 19:02
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ZHJJUN 发表于 2018-1-5 19:15
梅因德尔特·霍贝玛 Meindert Hobbema (1638~1709), 荷兰画家。1638年10月31日受洗于阿姆斯特丹,1709年卒于同地。早年从师J.van雷斯达尔学画风景画。作品多描绘乡村道路、农舍、池畔等,代表作《林荫道》、《磨坊》等,真实地表现了自然界多变的景象,其精确的透视为人称道。荷兰伟大的现实主义风景画大师之一,与老师齐名于画坛。
霍贝玛是荷兰风景画家中最著名的画家之一,鲁伊斯达尔的学生,在技法上受到业师的影响是不言而喻的,但最后形成的艺术风格并不相同,也没有如鲁伊斯达尔那样多产。一般说,鲁伊斯达尔的风景画情调倾向于忧郁和悲凉,而霍贝玛的画面则显得明朗和素朴些,也洋溢着一种较为欢快的气氛。这主要是,前者多描绘荒丘与沼泽,银灰色的天空和苍茫的平原;而后者的每一幅画,就象一首牧歌,有淡雅的泥土气。
2018-01-06 19:11
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ZHJJUN 发表于 2018-1-4 20:00
《森林风景与车上的嬉戏者》 作者:梅恩德特 · 霍贝玛(荷兰)

梅因德尔特·霍贝玛 Meindert Hobbema (1638~1709), 荷兰画家。1638年10月31日受洗于阿姆斯特丹,1709年卒于同地。早年从师J.van雷斯达尔学画风景画。作品多描绘乡村道路、农舍、池畔等,代表作《林荫道》、《磨坊》等,真实地表现了自然界多变的景象,其精确的透视为人称道。荷兰伟大的现实主义风景画大师之一,与老师齐名于画坛。
2018-01-05 19:15
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ZHJJUN 发表于 2018-1-2 19:05
《森林风景与车上的嬉戏者》 作者:梅恩德特·霍贝玛(荷兰)

《森林风景与车上的嬉戏者》 作者:梅恩德特 · 霍贝玛(荷兰)

2018-01-04 20:00
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ZHJJUN 发表于 2018-1-2 19:05
《森林风景与车上的嬉戏者》 作者:梅恩德特·霍贝玛(荷兰)

布面油画
绘于1665年
90.5×109.8厘米
收藏于阿姆斯特丹荷兰国立博物馆
2018-01-03 19:12
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《森林风景与车上的嬉戏者》 作者:梅恩德特·霍贝玛(荷兰)

2018-01-02 19:05
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ZHJJUN 发表于 2017-12-31 19:15
Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt.
费迪南德·波尔(1616年6月24日–1680年8月24日)是一个荷兰语画家,蚀刻和绘图员。虽然他幸存的工作是罕见的,它显示伦勃朗的影响;喜欢他的主人,BOL青睐历史题材,人物肖像,许多自画像,和异国情调的服饰单数据。

费迪南出生在多德雷赫特作为一个外科医生的儿子,Balthasar Bol。Ferdinand Bol是第一个学徒雅各伯凯普在他的家乡,和/或亚伯拉罕·布鲁马特在乌得勒支。1630后,他研究了伦勃朗,住在自己的房子SINT Antoniesbreestraat,然后画家、珠宝商、建筑师的时尚街区,和许多佛兰芒语和犹太移民。1641公司开始了自己的工作室。

1652他成为一个市民属于阿姆斯特丹1653,和他结婚的Elisabeth Dell,其父亲的职位海军阿姆斯特丹和酒商协会、机构,后来给佣金的艺术家。几年后(1655)他成为公会的头接到命令提供两个烟囱件房间设计新的市政厅雅各布·范·坎彭四,和更多的海军阿姆斯特丹。

在这个时候,波尔是一个流行的和成功的画家。他的调色板已经减轻,他的人物具有更大的优雅,而到2015年他接受更正式的佣金比阿姆斯特丹其他任何一位艺术家。肖像画家戈弗雷内勒是他的学生。提单的交付四画为两府的兄弟之旅,原来也来自多德雷赫特。
本帖最后由 ZHJJUN 于 2018-1-1 19:12 编辑
2018-01-01 19:07
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ZHJJUN 发表于 2017-12-30 18:49
Bol's first wife died in 1660. In 1669 Bol married for the second time to Anna van Erckel, widow of the treasurer of the Admiralty, and apparently retired from painting at that point in his life.[7] In 1672 the couple moved to Keizersgracht 672, then a newly designed part of the city, and now the Museum Van Loon. Bol served as a governor in a Home for Lepers. Bol died a few weeks after his wife, on Herengracht, where his son, a lawyer, lived.
Probably his best known painting is a portrait of Elisabeth Bas, the wife of the naval officer Joachim Swartenhondt and an innkeeper near the Dam square. This and many other of his paintings would in the 19th century be falsely attributed to Rembrandt.
2017-12-31 19:15
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ZHJJUN 发表于 2017-12-29 19:25
Around this time, Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.[4] Godfrey Kneller was his pupil. Bol delivered four paintings for the two mansions of the brothers Trip, originally also from Dordrecht.
Bol's first wife died in 1660. In 1669 Bol married for the second time to Anna van Erckel, widow of the treasurer of the Admiralty, and apparently retired from painting at that point in his life.[7] In 1672 the couple moved to Keizersgracht 672, then a newly designed part of the city, and now the Museum Van Loon. Bol served as a governor in a Home for Lepers. Bol died a few weeks after his wife, on Herengracht, where his son, a lawyer, lived.
2017-12-30 18:49
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ZHJJUN 发表于 2017-12-28 19:14
In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam.
Around this time, Bol was a popular and successful painter. His palette had lightened, his figures possessed greater elegance, and by the middle of the decade he was receiving more official commissions than any other artist in Amsterdam.[4] Godfrey Kneller was his pupil. Bol delivered four paintings for the two mansions of the brothers Trip, originally also from Dordrecht.
2017-12-29 19:25
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天心子 发表于 2017-12-28 22:07
发一张俺拍的安格尔临摹的乌菲济的““拉斐尔自画像”

天心子 发表于 2017-12-28 22:10
安格尔 贝尔凡斯.伏隆  55x46 1805

2017-12-29 10:20
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安格尔 贝尔凡斯.伏隆  55x46 1805

制造商 : SONY
型号 : ILCE-7R
光圈 : f/1.0
曝光时间 : 1/15
ISO感光度 : 640
2017-12-28 22:10
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发一张俺拍的安格尔临摹的乌菲济的““拉斐尔自画像”

2017-12-28 22:07
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ZHJJUN 发表于 2017-12-27 19:08
Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol. Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants. In 1641 Bol started his own studio.
In 1652 he became a burgher of Amsterdam, and in 1653 he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655) he became the head of the guild and received orders to deliver two chimney pieces for rooms in the new town hall designed by Jacob van Campen, and four more for the Admiralty of Amsterdam.
2017-12-28 19:14
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ZHJJUN 发表于 2017-12-26 21:26
Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol. Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630 he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants. In 1641 Bol started his own studio.
2017-12-27 19:08
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ZHJJUN 发表于 2017-12-25 19:10
《伊丽莎白 · 戴尔肖像》(Portret Elisabeth Dell)作者  费迪南德 · 波尔(Ferdlnand Bol)(荷兰)(无框 5362a)

Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
2017-12-26 21:26
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ZHJJUN 发表于 2017-12-23 19:34
《伊丽莎白 · 戴尔肖像》作者  费迪南德 · 波尔(荷兰)

《伊丽莎白 · 戴尔肖像》(Portret Elisabeth Dell)作者  费迪南德 · 波尔(Ferdlnand Bol)(荷兰)(无框 5362a)

2017-12-25 19:10
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ZHJJUN 发表于 2017-12-23 19:34
《伊丽莎白 · 戴尔肖像》作者  费迪南德 · 波尔(荷兰)

布面油画
绘于1653年
收藏于阿姆斯特丹荷兰国立博物馆
2017-12-24 19:12
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