这就是无忌众生相。

本帖最后由 jdai 于 2018-1-2 11:38 编辑

你确定F22肚子里的中国零件不少？核心零部件吗？
请列举！
愤青无脑！

不是平分秋色，而是欧美全面处于劣势！
要看看欧美器材的电路图纸吗？看看里面有多少核心零部件与非核心零部件是日本的！！

道理上 你是对的. 一般用家不会太注意这点. 我前一段开贴问小LCD显示器就是担心这个. 五万的功放, LCD坏了, 10年后找谁去换? 功放扔掉不用了?
经验上讲, 10~20年使用还是可以的.
也许有厂家或店家提供做维护的服务?

平分秋色也是你可以讲的

你就扯吧，5S制度是哪年老皇历了还拉出来显摆，你不如说倭人拉得屎在你眼里都是宝贝

那广播电视摄像机呢？如果认为电影器材欧美与日本平分秋色，那广播电视摄像器材与广播电视转播车与制作编辑器材那日本就是全面秒杀欧美！

啃爹的是国货！

LENS相对于机身来说，技术附加值低了很多了！

码了那么多字，辛苦了。可是你和我说的是一个问题吗？
还有我从来没有说要※※倭商。我有说过不能用倭货吗？ 如果倭货真的那么好，性价比也高我不反对买。不要给别人乱扣帽子。
可事实经常不是这样，有些人经常颠倒黑白，把倭货吹成宇宙第一，给坑爹货还要包装一下。不要扯什么民族感情当作挡箭牌。

本帖最后由 palmstyle 于 2018-1-19 21:08 编辑

你发的那个wiki链接的统计https://en.※※※※※※※※※.org/wiki/List_of_films_shot_on_digital_video_prior_to_2015。
看看lens type一列，注意不是camera那一列，后面才更能说明问题！lens type一列绝大部分都是Zeiss，Red Pro， Leica ，Panavision Hawk等，倭系的比列少的可怜。

还是那句话，倭货和倭商一个德性，再过三百年也没用
本帖最后由 palmstyle 于 2018-1-19 20:12 编辑

不好意思漏了一条忘了标记红色了。

Avatar Mauro Fiore Fusion Camera System Fujinon 6.3-101mm T2 and 7-35mm T1.8 2009 First 100% digitally photographed film to win the Academy Award for Best Cinematography

2009年，《阿凡达》摄影系统系统日本富士胶片旗下富士能镜头Fujinon (3-101mm T2)和7-35mm T1.8为2009年第一部100%数码拍摄的电影并获得了奥斯卡最佳摄影奖。
本帖最后由 久石让 于 2018-1-19 17:55 编辑

日本在广播电视摄像系统、电影摄影与编辑系统的研发与制造以及品管实力，其整体工业的完整性与制作水准可以碾压欧美同行！

从1996年~2014年，以下好莱坞电影所使用的器材，红色字体部分是日本器材。
资料来源：https://en.※※※※※※※※※.org/wiki/List_of_films_shot_on_digital_video_prior_to_2015

List of films

Term Life Roberto Schaefer Arri Alexa Cooke S4 2014 recorded Pro Res 4444
Setup Mike Gunther Red One  2011  
Miles Ahead Roberto Schaefer Arri Alexa, Canon EOS C500 Zeiss Standard Primes 2014 30% shot on Super 16mm with Arri 416, 10% shot on Canon EOS C500
To B or Not to B Vierendrra Lalit Red One MX Red Pro Primes 2014/2015
Geostorm Roberto Schaefer Red Epic Dragon Cooke 5i Primes 2014/2015 6K
You Again Andy Fickman Panavision Genesis HD Camera Panavision Primo 2010  
The Hunger Games: Mockingjay – Part 1 and Part 2 Jo Willems Arri Alexa XT[1] Panavision anamorphic 2014/2015 The first two films in the Hunger Games series were shot on 35mm and 65mm horizontal (IMAX).
It Follows Mike Gioulakis Arri Alexa XT Angenieux Optimo Lense 2014  
Catch .44 Aaron Harvey Red One MX Hawk V-Lite and V-Plus Lenses 2011  
The Hobbit: The Battle of the Five Armies Andrew Lesnie Red Epic Zeiss Ultra Prime 2014  
Birdman Emmanuel Lubezki Arri Alexa M, Arri Alexa XT Leica Summilux-C and Zeiss Master Prime 2014 Winner of the 2014 Academy Award for Best Cinematography
Gone Girl Jeff Cronenweth Red Epic Dragon  2014 First feature film announced to be shot with the Red Dragon, sensor. As with Cronenweth's previous collaborations with Fincher, it made history as the first feature film to have a 6K workflow.[2][3]
Guardians of the Galaxy Ben Davis Arri Alexa XT Plus Panavision Primo, Cooke Xtal Express and Angenieux Optimo 2014  
Dawn of the Planet of the Apes Michael Seresin Arri Alexa M Leica Summilux and Fujinon Premier 2014  
Transformers: Age of Extinction Amir Mokri IMAX 3D digital camera, Red Epic Dragon  2014 The first mainstream feature-length film to be partially shot with the IMAX 3D digital camera.[4]
The Fault in Our Stars Ben Richardson Arri Alexa XT[5] Zeiss Master Prime 2014  
X-Men: Days of Future Past Newton Thomas Sigel Arri Alexa M, Arri Alexa XT Leica Summilux and Fujinon Premier 2014 Some scenes shot with Phantom v642 Broadcast, Aaton XTR Prod and Bolex Camera.
Godzilla Seamus McGarvey Arri Alexa Plus 4:3 Panavision Primo, C-Series, PVintage, ATZ, AWZ2 and Cooke 2014  
Captain America: The Winter Soldier Trent Opaloch Arri Alexa Plus 4:3, Red Epic Panavision C-, E-, G-Series, ATZ and AWZ2 Lenses 2014  
Iron Man 3 John Toll Arri Alexa Studio, Red Epic, Canon 1DC 2013  
Jobs Russell Carpenter Arri Alexa  2013  
The Underground Railroad Joshua Michael Stern Arri Alexa  2013 Shot in 2012
Upstream Color Shane Carruth Panasonic GH2 2013 Shot in 2012
The Hunters Club Movie Kit McDee Red Epic MX Lomo Anamorphic 2014 Shot in Australia in 2012, with a budget of less than $100,000
The Umbrella Man Joe Grasso Red Epic MX  2013 Shot in 2012
The Wind is Watching Greg Kraus Red Epic MX  2013 Shot in 2012
Texas Chainsaw 3D Anastas N. Michos Red Epic MX  2013  
Monsoon Sturla Gunnarsson   shot in 2013  
Parker J. Michael Muro Red Epic MX  2013  
Stand Up Guys Michael Grady Red Epic MX  2013  
After Earth Peter Suschitzky Sony Cinealta F65, Canon EOS C500 2013  
Oblivion Claudio Miranda Sony Cinealta F65 2013  
Motel Steve Mason Sony Cinealta F65 2013  
The Smurfs 2 Phil Meheux Sony Cinealta F65  2013  
Evil Dead Aaron Morton Sony Cinealta F65 2013  
No Good Deed Michael Barrett Sony Cinealta F65 2013  
Rebel City Rumble Anthony Bowes Sony Cinealta F65 2014  
Left Turn Geno Salvatori Sony Cinealta F65 2014  
About Last Night Michael Barrett Sony Cinealta F65 2013  
The Hobbit: The Desolation of Smaug Andrew Lesnie Red Epic MX  2013  
Gravity Emmanuel Lubezki Arri Alexa  2013 Winner of the 2013 Academy Award for Best Cinematography
Pacific Rim[6] Guillermo Navarro Red Epic MX  2013  
R.I.P.D. Alwin Küchler Arri Alexa  2013  
World War Z Robert Richardson Arri Alexa  2013  
42[7] Don Burgess Red Epic MX  2013  
Cleveland, I Love You Zach Christy Canon EOS 7D, Canon EOS 5D Mark II 2013  
Oz: The Great and Powerful Peter Deming Red Epic MX  2013  
Elysium Trent Opaloch Red Epic MX  2013  
47 Ronin John Mathieson Arri Alexa  2013  
The Host Roberto Schaefer Arri Alexa Zeiss Master Prime 2013  
Hitchcock[8] Jeff Cronenweth Red Epic MX  2012  
LUV Gavin Kelly Red One MX  2012  
Unconditional Michael Regalbuto Red Epic MX  2012  
Aashiq Patthey Robby Singh Red Epic MX  2012  
The Victim Julius Dmello Canon EOS 7D Canon Lenses 2012 First Konkani Digital Theatrical film in Konkani Cinema by Milroy Goes
Rust and Bone Stéphane Fontaine Red Epic MX Cooke S4 2012  
Bachelorette Doug Emmett Red One MX  2012  
That's My Boy Brandon Trost Red Epic MX  2012  
Bad Ass John Barr Red One MX  2012  
The Man with the Iron Fists Chi Ying Chan Red One MX  2012  
Get the Gringo Benoît Debie Red One MX  2012  
Maximum Conviction Nathan Wilson Red One MX  2012  
Searching for Venice Wonjung Bae Canon C300 2012  
Hard Boiled Sweets Sara Deane Canon EOS 5D Mark II 2012  
Kon-Tiki (2012 film) Espen Sandberg, Joachim Rønning Arri Alexa Plus, Sony NEX-FS100 and Red One MX  2012  
Deus Ex Machina Giuseppe Badalamenti, Sebastián Rivera Red One M, Canon EOS 5D Mark III 2012  
Partav Mohammad Younis Zargar Canon EOS 5D Mark II Zeiss 50mm 1.4 2012 Winner of the 2013 Award of Excellence CANADA INT Film Festival
The Great Gatsby Simon Duggan Red Epic MX  2013  
Friends With Kids Will Rexer Arri Alexa  2012  
Pitch Perfect Julio Macat Arri Alexa  2012  
Sams I'm Glück Gerhard Schirlo Arri Alexa  2012  
Shut Up and Play the Hits Reed Morano Arri Alexa  2012  
Sparkle Anastas Michos Arri Alexa  2012  
The Hunt Charlotte Bruus Christensen Arri Alexa  2012  
The Hypnotist Mattias Montero Arri Alexa  2012  
The Pact Bridger Nielson Arri Alexa  2012  
The Watch Barry Peterson Arri Alexa  2012  
The Wedding Jonathon Brown Arri Alexa  2012  
Russian Disco Tetsuo Nagata Arri Alexa  2012  
Robot and Frank Matthew J. Loyd Arri Alexa  2012  
Goats Wyatt Troll Arri Alexa  2012  
Lay The Favorite Michael McDough Sony CineAlta F35 2012  
Lawless Benoit Delhomme Arri Alexa  2012  
Hello I Must Be Going Julie Kirkwood Arri Alexa  2012  
Life of Pi Claudio Miranda Arri Alexa  2012 Winner of the 2012 Academy Award for Best Cinematography
Flight Don Burgess Red Epic MX Zeiss Master Prime 2012  
The Hobbit: An Unexpected Journey Andrew Lesnie Red Epic MX Zeiss Ultra Prime 2012 The first feature film to be shot and presented in high frame rate format
Skyfall Roger Deakins Arri Alexa Zeiss Master Prime 2012 The first and currently only James Bond film to be shot digitally
Gangster Squad Dion Beebe Arri Alexa  2012 Phantom Flex Camera used for high-speed photography
Here Comes the Boom Phil Méheux Arri Alexa  2012  
Dredd Anthony Dod Mantle Red One MX  2012  
Gambit Florian Ballhaus Arri Alexa  2012  
2 Days in New York Lubomir Bakchev Arri Alexa  2012  
Amour Darius Khondji Arri Alexa  2012  
Bernie Dick Pope Arri Alexa  2012  
Broken City Ben Seresin Arri Alexa  2012  
Celeste and Jesse Forever David Lanzanberg Arri Alexa Zeiss Ultra Prime 2012  
Cosmopolis Peter Suschitzky Arri Alexa  2012  
Chronicle Matthew Jensen Arri Alexa  2012  
Big Sur M. David Mullen Red Epic MX  2012  
Styria Grzegorz Bartoszewicz Arri Alexa  2012  
Resident Evil: Retribution Glen MacPherson Red Epic MX  2012  
Mental Donald McAlpine Red Epic MX  2012  
Seeking a Friend for the End of the World Tim Orr Arri Alexa  2012  
Total Recall Paul Cameron Red Epic MX Panavision C, E, G series anamorphic 2012  
Ruby Sparks Matthew Libatique Arri Alexa  2012  
Ted Michael Barrett Panavision Genesis Panavision Primo 2012  
Magic Mike Steven Soderbergh Red Epic MX Hawk anamorphic 2012  
The Amazing Spider-Man John Schwartzman Red Epic MX Panavision Primo 2012  
Abraham Lincoln: Vampire Hunter Caleb Deschanel Arri Alexa  2012  
Rock of Ages Bojan Bazelli Arri Alexa Cooke S4 2012  
Think Like a Man Larry Blanford Red Epic MX  2012  
The Dictator Lawrence Sher Arri Alexa  2012  
The Guillotines Andrew Lau Arri Alexa  2012  
The Five-Year Engagement Javier Aguirresarobe Arri Alexa  2012  
Billa II R. D. Rajasekhar Red Epic MX  2013  
Jack the Giant Killer Newton Thomas Sigel Red Epic MX  2012  
Prometheus Dariusz Wolski Red Epic MX Sir Ridley Scott's first digital feature 2012  
What to Expect When You're Expecting Xavier Pérez Grobet Arri Alexa  2012  
The Avengers Seamus McGarvey Arri Alexa, Canon EOS 5D Mark II, Canon EOS 7D 2012  
Zero Dark Thirty Greig Fraser Arri Alexa Cooke S4 2012  
Hansel and Gretel: Witch Hunters Michael Bonvillain Arri Alexa  2012  
Act of Valor Shane Hurlbut Canon EOS 5D Mark II 2012  
Gone Michael Grady Red Epic MX  2012  
Ghost Rider: Spirit of Vengeance Brandon Trost Red One MX  2012  
Underworld: Awakening Scott Kevan Red Epic MX  2012  
A Few Best Men Stephen F. Windon Arri Alexa  2012  
Dehorokkhi Iftekhar Chowdhury Red One MX  2012  
Haywire Steven Soderbergh Red One MX Hawk anamorphic 2012  
Wrong Quentin Dupieux HD-Koi (prototype)  2012  
Albert Nobbs Michael McDonough Red One MX  2011  
Extremely Loud and Incredibly Close Chris Menges Arri Alexa  2011  
11-11-11 Joseph White Arri Alexa  2011  
The Wholly Family Nicola Pecorini Arri Alexa  2011  
Once Upon a Time in Anatolia Gökhan Tiryaki Sony CineAlta F35 2011  
Wild Bill George Richmond Arri Alexa  2011  
This Is 40 Phedon Papamichael Arri Alexa  2011  
The Girl With the Dragon Tattoo Jeff Cronenweth, Fredrik Bäckar Red One MX, Red Epic MX Zeiss Master Prime 2011 Red Epic was used to shoot scenes in both the US and Sweden. The film was also the first to employ a workflow higher than 4K resolution from production to presentation.
The Darkest Hour Scott Kevan Sony CineAlta F35 2011  
Final Destination 5 Brian Pearson Arri Alexa  2011  
Young Adult Eric Steelberg Arri Alexa  2011  
The Muppets Don Burgess Red One MX, Red Epic MX Zeiss Ultra Prime 2011  
Hugo Robert Richardson Arri Alexa  2011 Winner of the 2011 Academy Award for Best Cinematography
Immortals Brendan Galvin Panavision Genesis  2011  
Jack and Jill Dean Cundey Arri Alexa Cooke S4 2011  
A Very Harold & Kumar 3D Christmas Michael Barrett Panavision Genesis  2011  
The Three Musketeers Glen MacPherson Arri Alexa  2011  
Vicky and the Treasure of the Gods Christian Rein Arri Alexa  2011  
Rampart Bobby Bukowski Arri Alexa  2011  
Killer Joe Caleb Deschanel Arri Alexa  2011  
Headshot Chankit Chamnivikaipong Red One MX  2011  
Dolphin Tale Karl Walter Lindenlaub Red One MX  2011  
Our Idiot Brother Yaron Orbach Red One MX  2011  
Anonymous Anna Foerster Arri Alexa  2012 The first feature-length film to be shot with Alexa
Spy Kids: All the Time in the World Robert Rodriguez, Jimmy Lindsey Arri Alexa  2012  
Contagion Steven Soderbergh Red One MX Red Pro Prime 2011  
Margin Call Frank DeMarco Red One MX  2011  
The Inbetweeners Movie Ben Wheeler Arri Alexa  2011  
The Devil's Double Sam McCurdy Red One MX  2011  
Drive Newton Thomas Sigel Arri Alexa  2011  
In Time Roger Deakins Arri Alexa  2011  
Captain America: The First Avenger Shelly Johnson Panavision Genesis  2011 Underwater sequences and epilogue shot with Arri Alexa
Zookeeper Michael Barrett Panavision Genesis  2011  
Horrible Bosses David Hennings Panavision Genesis  2011  
Bucky Larson: Born to Be a Star Michael Barrett Panavision Genesis  2011  
Bellflower Joel Hodge Custom based on Silicon Imaging SI-2K  2011  
Melancholia Manuel Alberto Claro Arri Alexa  2011 Phantom HD Camera used for high-speed photography
Mr. Popper's Penguins Florian Ballhaus Arri Alexa  2011  
Transformers: Dark of the Moon Amir Mokri Sony CineAlta F35 2011 Most non-action scenes/close-ups shot with 35mm film
Pina Hélène Louvart, Jörg Widmer Sony HDC-1500 2011  
Pirates of the Caribbean: On Stranger Tides Dariusz Wolski Red One MX  2011  
Prom Byron Shah Arri Alexa  2011  
TT3D: Closer to the Edge Thomas Kürzl Red One MX  2011  
The Lincoln Lawyer Lukas Ettlin Red One MX  2011  
Shark Night 3D Gary Capo Fusion Camera System, Sony CineAlta F35  2011  
Sanctum Jules O'Loughlin Fusion Camera System  2011  
Drive Angry Brian Pearson Red One MX, Silicon Imaging SI-2K  2011  
Cedar Rapids Chuy Chávez Arriflex D-21  2011  
Like Crazy John Guleserian Canon EOS 7D 2011  
The Future (film) Nikolai von Graevenitz Red One M  2011  
Sick Boy Sean C. Cunningham Canon EOS 7D 2011 Canon EOS L-Series lenses, StickyPod, Redrock Micro "Captain Stubling" rig and Lensbaby Muse
Tron: Legacy Claudio Miranda Sony CineAlta F35  2010 Phantom HD Camera used for high-speed photography
Blue Valentine Andrij Parekh Red One M Cooke S4 2010 Present-day scenes shot on Red, flashback scenes shot on 16mm
Red State David Klein Red One MX, Canon EOS 7D 2010 Canon 7D used only for 'running with camera' shots
Winter's Bone Michael McDonough Red One M Zeiss Master Prime 2010  
Sarah's Key Pascal Ridao Red One M Cooke S4 2010  
Jackass 3D Dimitry Elyashkevich Red One M  2010  
Hubble 3D James Neihouse IMAX Cargo Bay 3-D Camera  2010  
Fair Game Doug Liman Red One M  2010  
Resident Evil: Afterlife Glen MacPherson Fusion Camera System  2010  
The Social Network Jeff Cronenweth Red One MX Zeiss Master Prime 2010 First film to feature a 2K pipeline, from production to presentation.
127 Hours Anthony Dod Mantle, Enrique Chedik Canon EOS 5D Mark II, Canon EOS 7D, Silicon Imaging SI-2K  2010  
Machete Jimmy Lindsey Panavision Genesis  2010  
Certified Copy Luca Bigazzi Red One M  2010  
Casino Jack Adam Swica Red One M  2010  
Date Night Dean Semler Panavision Genesis  2010  
Rosario Carlo Mendoza Arri Alexa  2010 First Filipino film to be shot with ARRI Alexa
Yogi Bear Peter James Fusion Camera System  2010  
Step Up 3D Ken Seng Fusion Camera System  2010  
Death at a Funeral Rogier Stoffers Panavision Genesis  2010  
Film Socialisme Fabrice Aragno, Paul Grivas Sony PMW-EX1, Sony HDR-TG1E, JVC Everio, Canon EOS 5D Mark II, Samsung NV24HD, Archos 404 Camcorder  2010  
Killers Russell Carpenter Arriflex D-21  2010  
Grown Ups Theo van de Sande Panavision Genesis  2010  
Rabbit Hole Frank G. DeMarco Red One M  2010  
Rubber Quentin Dupieux Canon EOS 5D Mark II 2010  
twelve Steven Fierberg Red One M  2010  
Avatar Mauro Fiore Fusion Camera System Fujinon 6.3-101mm T2 and 7-35mm T1.8 2009 First 100% digitally photographed film to win the Academy Award for Best Cinematography
The Informant! Steven Soderbergh Red One M Red Pro prime 2009  
Youth in Revolt Chuy Chávez Sony CineAlta F35 2009  
The Box Steven Poster Panavision Genesis  2009  
Zombieland Michael Bonvillain Panavision Genesis  2009  
The Final Destination Glen MacPherson Fusion Camera System  2009  
District 9 Trent Opaloch Red One M  2009  
The Secret in Their Eyes Félix Monti Red One M  2009  
Valhalla Rising Morten Søborg Red One M  2009  
Public Enemies Dante Spinotti Sony CineAlta F23 2009 Some car interiors during chases shot on Sony XDCAM EX-1
The Girlfriend Experience Steven Soderbergh Red One M Panavision C-series anamorphic 2009  
Gamer Ekkehart Pollack Red One M  2009  
Antichrist Anthony Dod Mantle Red One M  2009 Phantom HD Camera used for high-speed photography
Samantha Darko Chris Fisher Red One M  2009  
Surviving Evil Mike Downie Thomson Viper  2009  
Tetro Mihai Mălaimare Jr. Sony CineAlta F900 2009  
Crank: High Voltage Brandon Trost Canon XH-A1  2009 Fifteen Canon HF10 were used as Crash-Cams
The Book of Eli Don Burgess Red One M Panavision Primo 2009  
Knowing Simon Duggan Red One M  2009  
Achchamundu! Achchamundu! Arthur Wilson Red One M  2009  
Like You Know It All Kim Hoon-kwang Sony PMW-EX1  2009  
My Bloody Valentine 3D Brian Pearson Red One M, Silicon Imaging SI-2K  2009  
Leaves of Grass Roberto Schaefer Red One M  2009  
neighbor Marc Jeff Schirmer Red One M  2009  
The Spirit Bill Pope Panavision Genesis  2008 Phantom HD Camera used for high-speed photography
The Curious Case of Benjamin Button Claudio Miranda Thomson Viper Zeiss DigiPrime 2008  
Slumdog Millionaire Anthony Dod Mantle Silicon Imaging SI-2K  2008 First digitally photographed film to win the Academy Award for Best Cinematography. Shot on multiple formats, including 35mm and digital stills.
Rachel Getting Married Declan Quinn Sony CineAlta F23 2008  
You Don't Mess With The Zohan Michael Barrett Panavision Genesis  2008  
Chemical Wedding Brian Herlihy Thomson Viper  2008  
Che: Part Two Steven Soderbergh Red One M Red Pro prime 2008  
Che: Part One Steven Soderbergh Red One M Red Pro prime 2008 Che was the first feature-length film to use Red One cameras
Get Smart Dean Semler Panavision Genesis  2008  
Speed Racer David Tattersall Sony CineAlta F23 2008  
Three Monkeys Gökhan Tiryaki Sony CineAlta F900 2008  
Deception Dante Spinotti Panavision Genesis  2008  
21 Russell Carpenter Panavision Genesis  2008  
Journey to the Center of the Earth Chuck Shuman Fusion Camera System  2008  
Cloverfield Michael Bonvillain Sony CineAlta F23 2008 Segments, other shots include the Panasonic HVX-200, as well as the Thomson Viper
RocknRolla David Higgs Arriflex D-21  2008  
The Bank Job Michael Coulter Arriflex D-21  2008  
Before the Devil Knows You're Dead Ron Fortunato Panavision Genesis  2007  
Reign Over Me Russ Alsobrook Panavision Genesis  2007  
Youth Without Youth Mihai Mălaimare Jr. Sony CineAlta F900 2007  
Zodiac Harris Savides Thomson Viper Zeiss DigiPrime 2007  
Balls of Fury Thomas E. Ackerman Panavision Genesis  2007  
Walk Hard: The Dewey Cox Story Uta Briesewitz Panavision Genesis  2007  
Superbad Russ Alsobrook Panavision Genesis  2007  
I Now Pronounce You Chuck and Larry Dean Semler Panavision Genesis  2007  
Next David Tattersall Panavision Genesis  2007  
Chronicle of Purgatory: The Waiter Jason Konopisos Panasonic AG-DVX100 (Andromeda Modification)  2007 The Andromeda Modification bypasses the DV compression to get uncompressed 4:4:4 10-bit RGB data straight from the CCD block
Planet Terror Robert Rodriguez Panavision Genesis  2007  
Apocalypto Dean Semler Panavision Genesis  2006  
Once Tim Fleming Sony HVR-Z1 2006  
Inland Empire David Lynch Sony DSR-PD150 2006  
Miami Vice Dion Beebe Thomson Viper  2006  
Superman Returns Newton Thomas Sigel Panavision Genesis  2006  
Click Dean Semler Panavision Genesis  2006  
Climates Gökhan Tiryaki Sony CineAlta F900 2006  
Colossal Youth Pedro Costa, Leonardo Simões Panasonic AG-DVX100 2006  
Crank Adam Biddle Sony CineAlta F950 2006 Some scenes shot with Canon XL-2
Flyboys Henry Braham Panavision Genesis 2006  
Them (Ils) David Moreau, Xavier Palud Panasonic AG-DVX100 2006  
Still Life Zhangke Jia Sony HVR-Z1 2006  
Me and You and Everyone We Know Chuy Chávez Sony CineAlta F900 2005  
Il vento fa il suo giro Roberto Cimatti Panasonic AG-DVX100 2005  
Star Wars: Episode III – Revenge of the Sith David Tattersall Sony CineAlta F950 2005  
The Adventures of Shark Boy & Lava Girl Robert Rodriguez Sony CineAlta F950 2005  
Bubble Steven Soderbergh Sony CineAlta F900/F950 2005  
Manderlay Anthony Dod Mantle Sony CineAlta F900 2005 Some scenes shot with Sony DSR-PD100
Sin City Robert Rodriguez Sony CineAlta F950 2005  
Sky Captain and the World of Tomorrow Eric Adkins Sony CineAlta F900 2004  
Collateral Paul Cameron, Dion Beebe Sony CineAlta F900, Thomson Viper  2004 35mm used for some scenes
Land of Plenty Franz Lustig Panasonic AG-DVX100 2004  
The World Yu Lik-wai Sony CineAlta F900 2004  
Dogville Anthony Dod Mantle Sony CineAlta F900 2003 Some scenes shot with Sony DSR-PD100
Spy Kids 3-D: Game Over Robert Rodriguez Sony CineAlta F900 2003  
Once Upon A Time In Mexico Robert Rodriguez Sony CineAlta F900 2003  
Voyuer? Pete Anderson Sony FX1 2003 Was filmed in 2001 but released theatrically in 2003
Unknown Pleasures Yu Lik-wai Sony DSR-PD150 2002 Other scenes shot in Digital Betacam
Spy Kids 2: Island of Lost Dreams Robert Rodriguez Sony CineAlta F900  2002  
Russian Ark Tilman Büttner Sony CineAlta F900 Canon ENG 2002
Star Wars: Episode II – Attack of the Clones David Tattersall Sony CineAlta F900 2002  
9 Songs Marcel Zyskind Panasonic AG-DVX100  2002 Other scenes shot with Sony DSR-PD150
Full Frontal Steven Soderbergh Canon XL-1s 2002  
Personal Velocity: Three Portraits Ellen Kuras Sony DSR-PD150 2002  
Tadpole Hubert Taczanowski Sony DSR-PD150 2002  
24 Hour Party People Robby Muller Sony DSR-PD150 2002  
28 Days Later... Anthony Dod Mantle Canon XL-1s 2002 Some shots in 35mm
All About Lily Chou-Chou Noboru Shinoda Sony CineAlta F900 2001  
Baahubali K. K. Senthil Kumar Arri Alexa XT  2015 India's biggest motion picture
Return of the Moonwalker Mike Maria Red Epic MX  2011  
The Anniversary Party John Bailey Sony DSR-500 2001  
The King Is Alive Jens Schlosser Sony DSR-PD150 2001  
The Wager Arnar Thor Thorisson Sony CineAlta F900 2001 Shot in 2001, released in 2004
Vidocq (2001 film) Jean-Pierre Sauvaire, Jean-Claude Thibaut Sony HDW-F900 CineAlta 2001
Xtracurricular J.P. Lipa Sony HDW-F900 CineAlta 2001 Some scenes shot on Panasonic AJ-HDC27 Varicam and Sony DSR-500WS. Shot in 2001, released in 2003
Tortilla Soup Xavier Pérez Grobet Panasonic AJ-HDC27 Varicam  2001 home video release from 35mm Interpostive
Bamboozled Ellen Kuras Sony DCR-VX1000 2000 Some scenes shot in 16mm
Chuck & Buck Chuy Chávez Sony DCR-VX1000 2000  
Dancer in the Dark Robby Müller Sony DXC-D30WS 2000 Musical numbers shot with 100 Sony DSR-PD100s
Ivans Xtc Bernard Rose Sony HDW-700A 2000  
Solid Ones Brent Florence (Director), Matthew W. Davis (Cinematographer), Lloyd Silverman (Producer) Sony HDW-700A 1999 Shot entirely on HD in the summer of 1999, Premiered in 2000
Everything Put Together Roberto Schaefer Sony PD-100, PAL  2000 Shot entirely on HD in the summer of 1999, Premiered in 2000
The Book of Life Jim Denault Sony DCR-VX1000 1998  
The Celebration Anthony Dod Mantle Sony DCR-PC3 1998  
The Idiots Casper Holm, Jesper Jargil, Lars von Trier, Kristoffer Nyholm Sony DCR-VX1000 1997  
Hope Pete Anderson Canon GL1 1997  
Windhorse Steve Schecter Sony DVW-700WS
Sony DCR-VX1000
  1996 Premiered 1998 Santa Barbara Film Festival
本帖最后由 久石让 于 2018-1-19 16:44 编辑

Me 901低音单元是15寸的吧？就低音这一头，Opus 1让它找不到北？
真有你的～