主题：70、80、90年代开过照相馆的师傅请进来
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962 帖
亚瑟李 发表于 2018-6-28 13:44
此君你见到他后，你可找到他的最佳角度，上相角度?这是一位肖像摄影师的看家基本功哈，每个被摄人物，无论美丑，都有一个相对的"最佳上相角度"，我觉得此君还可以拍得更好看点。此番伦勃朗光和皮肤质感运用基本到位，效果尚可，供参考。
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961 帖
那时候照相馆一般用这种。
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960 帖
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959 帖
亚瑟李 发表于 2018-6-28 12:40
电影三灯配置令人羡慕。
男士肖像皮肤亮部不必太过光滑，带点质感更有阳刚之气，应有别于女士用光，其它并无大碍，不错哈。
本帖最后由 虎朋狗友 于 2018-6-28 13:11 编辑
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958 帖
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957 帖
回到自己家里一月多，终于办齐了基本的三灯设置。过去的两盏影棚闪灯带柔光罩一并出掉了。只留下灯架，又为发灯添了一只boom。这张感觉有点儿好莱坞的味儿了。模特修习过现代舞，做过画室模特，不过忘了刮胡子。我的模特征召一直挂着，还是没有女模上门。 本帖最后由 虎朋狗友 于 2018-6-28 09:55 编辑
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956 帖
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Вечер 晚 ---- Пётр Дранга 皮特-德兰咖
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......还是听那80后俄国小伙子：皮特-德兰咖的手风琴曲好不好，谢谢收看，晚上好诸位！
Вечер 晚 ---- Пётр Дранга 皮特-德兰咖
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......还是听那80后俄国小伙子：皮特-德兰咖的手风琴曲好不好，谢谢收看，晚上好诸位！
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955 帖
e-bay下载的好莱坞电影明星黑白肖像老照片【71】
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954 帖
e-bay下载的好莱坞电影明星黑白肖像老照片【70】
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953 帖
e-bay下载的好莱坞电影明星黑白肖像老照片【69】
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952 帖
人力车夫 发表于 2018-6-18 09:46
光看这些片子就养眼！多谢了！
那就再上点，继续养眼哈。
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951 帖
亚瑟李 发表于 2018-6-7 20:13
就是想把大家往光影的正道上引呀，算是尽点绵力吧，唉......谢谢收看！
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950 帖
我飞翔了 发表于 2018-6-17 19:25
上一代把玩人像摄影的较关心影调,从90年代中后期开始大白脸文化影响到现在的新一代了！
“一白遮三丑”什么的....国人喜白的病态审美观其实由来已久。
“大白脸”审美取向的群众基础可能要上溯至戏曲,乃至传统的工笔人物国画等国粹带来的深远影响，君不见“白面相公”至今还是不少适龄国妹择偶的标准。
这种病态的审美观是客观存在的，我们要积极地去面对它，沿着徐悲鸿先生《中国画改良论》的路子走到底才是。
人物之改良
夫写人不准以法度，指少一节。臂腿如直筒，身不能转使，头不能仰面侧视，手不能向画面而伸。无论童子，一笑就老。无论
少艾，攒眉即丑。半面可见眼角尖，跳舞强藏美人足。此尚不改正，不求进，尚成何学!既改正又求进，复何必云皈依何家何派耶。
选自北京大学绘学杂志社编辑的《绘学杂志》第一期，1920年6月出版。 本帖最后由 亚瑟李 于 2018-6-17 22:44 编辑
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949 帖
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948 帖
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947 帖
亚瑟李 发表于 2018-6-7 20:13
就是想把大家往光影的正道上引呀，算是尽点绵力吧，唉......谢谢收看！
DX辛苦！给您鞠躬！
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946 帖
Photo by Vlad Dumitrescu - From Brasov, Romania
About me
An introduction of my work should start with a short description of Romania. The magic of this country, lies in its landscapes and in its warm people that are living in villages from very close to the sea to the heart of the mountains. Every region has its own specific habits and its own stories, witch are making together the beautiful book, called - Romania. Every season is turning slowly page by page from this book, over and over again, for thousands of years. You can still find in these villages carts run by oxen, people working at the looms or in the fields with horses.
I must say that I am very lucky to live in this country, but at the same time, I am sorry to see that day by day something is changing as the modernism is cutting deeper and deeper in our old traditions.
My aim is to find during my walks up and down and around the hills, valleys and villages of Romania, old people and forgotten habits and try to bring back into present something that was lost in the past. The Romanian village is my main motive because I love it s people and it s habits and because I see it dying.
As I have a job that keeps me occupied during the week, my photographic work untill now was put up together during weekends and during the short holidays that I had since I started photography.
And, because I love stories, here are some stories made here, in Romania. Hope you like them! )
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invizibilul (the invisible)
o poezie despre copilarie (a childhood poem)
tragand cu ochiul (peeking)
ultima lingura (the last spoon)
echipa de interventie (the intervention team)
Reveica
Trebuie sa ma barbieresc. (I need a shave.)
totul s-a intamplat aici (it all happened here)
Maria - 21.05.2011
primii pasi (the first steps)
Viorel - 27.05.2011
barbat cu pisica (man with cat)
tricotand (knitting)
Susana
ce gatesti, bunico? (what's cooking grandma?)
Susana
in camera albastra (into the blue room)
About me
An introduction of my work should start with a short description of Romania. The magic of this country, lies in its landscapes and in its warm people that are living in villages from very close to the sea to the heart of the mountains. Every region has its own specific habits and its own stories, witch are making together the beautiful book, called - Romania. Every season is turning slowly page by page from this book, over and over again, for thousands of years. You can still find in these villages carts run by oxen, people working at the looms or in the fields with horses.
I must say that I am very lucky to live in this country, but at the same time, I am sorry to see that day by day something is changing as the modernism is cutting deeper and deeper in our old traditions.
My aim is to find during my walks up and down and around the hills, valleys and villages of Romania, old people and forgotten habits and try to bring back into present something that was lost in the past. The Romanian village is my main motive because I love it s people and it s habits and because I see it dying.
As I have a job that keeps me occupied during the week, my photographic work untill now was put up together during weekends and during the short holidays that I had since I started photography.
And, because I love stories, here are some stories made here, in Romania. Hope you like them! )
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invizibilul (the invisible)
Reveica
Maria - 21.05.2011
Viorel - 27.05.2011
Susana
Susana
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945 帖
5147 发表于 2018-6-7 20:09
亚瑟李 资深DX 贴的这N多的大片实在太棒了！
就是想把大家往光影的正道上引呀，算是尽点绵力吧，唉......谢谢收看！
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944 帖
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943 帖
亚瑟李 资深DX 贴的这N多的大片实在太棒了！
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942 帖
~~~~~~~~~~~~~~~~~~~~~ To be continued ~~~~~~~~~~~~~~~~~
Photo by Imam Hartoyo - From ?
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Photo by Imam Hartoyo - From ?
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941 帖
Photo by jen bliss - From United States
About me
I am a photographer from the beautiful Pacific Northwest. I specialize in high impact portrait photography. I always try to tell a story with each image I create.The creative process for me usually begins with a specific idea in mind. However, I remain flexible, and have often detoured from my original plan. I try to learn the emotions, thoughts, and personality of each new subject. Making a connection with the subject and providing a comfortable experience is most important. I like to be unique with my ideas. I try to see the final photograph in my mind, even before I have finished.
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Dear Dad....I Miss You
Equipment：Canon 5D
Location：California
About me
I am a photographer from the beautiful Pacific Northwest. I specialize in high impact portrait photography. I always try to tell a story with each image I create.The creative process for me usually begins with a specific idea in mind. However, I remain flexible, and have often detoured from my original plan. I try to learn the emotions, thoughts, and personality of each new subject. Making a connection with the subject and providing a comfortable experience is most important. I like to be unique with my ideas. I try to see the final photograph in my mind, even before I have finished.
-------------------------------------------------------
Dear Dad....I Miss You
Equipment：Canon 5D
Location：California
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940 帖
Photo by Balaji Maheshwar - From chennai, India
About me
Software Engineer by profession and i have a gr8 passion towards photography.
Photo equipment：：Nikon d7000,Nikon 55-200,Tokina 11-16,Nikon 50mm
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Indian
Equipment：Nikon D5100
Location：Calcuta
About me
Software Engineer by profession and i have a gr8 passion towards photography.
Photo equipment：：Nikon d7000,Nikon 55-200,Tokina 11-16,Nikon 50mm
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Indian
Equipment：Nikon D5100
Location：Calcuta
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939 帖
Photo by Ricky Siegers(Curator) - From Amsterdam, Netherlands
About me
Photography is a serious hobby. 摄影是一种严肃的业余爱好
I do projects for companies or individuals.
Photo equipment：Canon and Contax RTS
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Cor Jaring
Cornelis Jaring was born on December 18, 1936 on one of the 'islands' of Amsterdam. Most well known is his photographie work on Provo* the Amsterdam hippie-movernent of the 1960s. But from an aesthetical and social perspective his pictures of the Amsterdam harbour are certainly more impressive. Jaring was and is a man of the street. When young he did all kinds of jobs in the harbour of Amsterdam, and assisted his father in his second~hand shop. It was in military service that Jaring first met photography. and although he is a deserving painter too, he never left photography again. He felt at home in the streets of Amsterdam, and photographed people at work, the red light district, the markets, the harbour. In 1962, the year of his first exposition, he ran into Robert Jasper Grootveld, who was to become one of the heroes of Dutch Provo. Jaring followed, covered and became famous with his photographs of the roaring sixties. His Provo-photographs are a sign of the time: dark, quick, moments of great anxiety and activity. His greatest involvement was with the movement's more playful happenings: the Insect Sect, "the Kitch-Conservatory. His political feelings were never that strong, which made it rather unproblematie for him to sell his pictures of the politically loaded actions to whoever wanted to publish them. lt is for that reason that his work and the history of Dutch Provo gained international recognition, and have become almost inseparable. In the late sixties Jaring started to travel: to the Far East, Northern Africa, the Soviet Union and large parts of Europe. His photographs differ considerably from the work on Provo. Provo was his world, he literally was always close to his subject, whereas his travel-photographs are more distanced, more reflective, the people seem further, away. With the death of Provo, Jarings work has moved definitely in the direction of documentary photography, concentrated on his Amsterdam: life in different quarters of the city, the life and work of chinese populations of Amsterdam, Carnival in the Capital. Influential magazines like Life Time, Stern, and others all over the world have covered Jaring's work. Since 1971 jaring teaches at the Enschede Academy of Art. In 1987 Christie?s Amsterdam held a sale, comprising 250 photographs of 'the Amsterdam master photographer?. Jaring is still active as a photographer. Of late he has taken to picture more of the Amsterdam harbour, and of daily life in the quarter around his home. Notwithstanding the wide variety of subjects he "covered", the travels he made, as a thread throughout his work stands his impressive and still increasing oeuvre on the Amsterdam harbour. It is in a way paradigmatic for his entire oeuvre as it is the ultimate social comment, the universal record of people and their life. It is timeless photography, of hard Work. It is encompassing in it?s aesthetic, its social and political message, and the hard, dark and clear quality of composition and content render this part of his oeuvre unforgettable. Bernie Pasveer.
About me
Photography is a serious hobby. 摄影是一种严肃的业余爱好
I do projects for companies or individuals.
Photo equipment：Canon and Contax RTS
-------------------------------------------------------------------------------------
Cor Jaring
Cornelis Jaring was born on December 18, 1936 on one of the 'islands' of Amsterdam. Most well known is his photographie work on Provo* the Amsterdam hippie-movernent of the 1960s. But from an aesthetical and social perspective his pictures of the Amsterdam harbour are certainly more impressive. Jaring was and is a man of the street. When young he did all kinds of jobs in the harbour of Amsterdam, and assisted his father in his second~hand shop. It was in military service that Jaring first met photography. and although he is a deserving painter too, he never left photography again. He felt at home in the streets of Amsterdam, and photographed people at work, the red light district, the markets, the harbour. In 1962, the year of his first exposition, he ran into Robert Jasper Grootveld, who was to become one of the heroes of Dutch Provo. Jaring followed, covered and became famous with his photographs of the roaring sixties. His Provo-photographs are a sign of the time: dark, quick, moments of great anxiety and activity. His greatest involvement was with the movement's more playful happenings: the Insect Sect, "the Kitch-Conservatory. His political feelings were never that strong, which made it rather unproblematie for him to sell his pictures of the politically loaded actions to whoever wanted to publish them. lt is for that reason that his work and the history of Dutch Provo gained international recognition, and have become almost inseparable. In the late sixties Jaring started to travel: to the Far East, Northern Africa, the Soviet Union and large parts of Europe. His photographs differ considerably from the work on Provo. Provo was his world, he literally was always close to his subject, whereas his travel-photographs are more distanced, more reflective, the people seem further, away. With the death of Provo, Jarings work has moved definitely in the direction of documentary photography, concentrated on his Amsterdam: life in different quarters of the city, the life and work of chinese populations of Amsterdam, Carnival in the Capital. Influential magazines like Life Time, Stern, and others all over the world have covered Jaring's work. Since 1971 jaring teaches at the Enschede Academy of Art. In 1987 Christie?s Amsterdam held a sale, comprising 250 photographs of 'the Amsterdam master photographer?. Jaring is still active as a photographer. Of late he has taken to picture more of the Amsterdam harbour, and of daily life in the quarter around his home. Notwithstanding the wide variety of subjects he "covered", the travels he made, as a thread throughout his work stands his impressive and still increasing oeuvre on the Amsterdam harbour. It is in a way paradigmatic for his entire oeuvre as it is the ultimate social comment, the universal record of people and their life. It is timeless photography, of hard Work. It is encompassing in it?s aesthetic, its social and political message, and the hard, dark and clear quality of composition and content render this part of his oeuvre unforgettable. Bernie Pasveer.
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938 帖
Architect Le Corbusier sitting in chair & holding book in hands.
Location: Paris, France
Date taken: May 1965
Photographer: Nina Leen
Size: 1038 x 1280 pixels (14.4 x 17.8 inches)
Location: Paris, France
Date taken: May 1965
Photographer: Nina Leen
Size: 1038 x 1280 pixels (14.4 x 17.8 inches)
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937 帖
Photo by Roza Sampolinska - From Berlin, Poland
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Between shadow and light 光影之间
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Between shadow and light 光影之间
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936 帖
正经地商业大幅纸片哈，过去的柔焦人像镜效果,与Ps磨皮还是有区别的说.....
Clo Euro 1939-1946
Size: 1071 x 1280 pixels (14.9 x 17.8 inches)
Clo Euro 1930-1932 Wide Shoulders Puffed Sleeves Start 1936
Size: 964 x 1280 pixels (13.4 x 17.8 inches)
Clo Euro 1939-1946
Size: 1071 x 1280 pixels (14.9 x 17.8 inches)
Size: 964 x 1280 pixels (13.4 x 17.8 inches)
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935 帖
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934 帖
Photo by Dalibor Talajic - From Rovinj, Croatia (Hrvatska)
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Pohjonen
Equipment：Canon 5D MII, 70-200 f2.8 IS
Location：Rovinj, Croatia
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Pohjonen
Equipment：Canon 5D MII, 70-200 f2.8 IS
Location：Rovinj, Croatia
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933 帖
回复主题： 70、80、90年代开过照相馆的师傅请进来
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