airfang兄，这个周末做个小PK，请你自己看吧。

airfang兄，这种场景无需对焦，只要把对焦环放在15米~20米处，就能拍得※※不离十吧。你现在在北京？如果在北京，正好扫荡M镜头哦！

詹兄那你的结论呢
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球迷
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追不上焦只好先对旁边的灯箱，然后等有人走到灯箱附近的时候按快门
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最近世界杯比较热门，走到哪里都是足球当主题
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三里屯儿，夜装修
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airfang兄，刚才又温习了一下斯提夫对于VM5015的结论：
My Bottom Line Conclusion on the 50 1.5 Nokton VM

When I 1st opened the box of this lens I smiled. When I saw that old school chrome on brass build I was very happy as I am a huge fan of classic glass as I feel you do not need to spend a fortune to have a lens that takes great photos. I think that sometimes we get caught up in buying the latest and greatest and I have been just as guilty of that as the next guy but in my older age (43) I feel that I am starting to see the pleasure of shooting a lens like this Voigtlander with my Leica M.

If I can not take a good picture with this lens, I can not take one with any other 50mm. Period. A Summilux or Noctilux will not make me an instant artist or make me see with magical eyes, but they will put their Leica mojo onto the images with their unique rendering or “draw”, which is exactly what this Voigtander Nokton will do as well, just in its own flavor that some will love and some will not.

With this Nokton classic you will get a smooth rendering about on par with the old Leica 50 Summilux Pre ASPH and in reality, it is just as sharp as the Lux ASPH wide open at the focus point. Smooth, sharp –  yet not clinical, some classical looking Bokeh and medium contrast. The corners are soft at 1.5 and there is some slight barrel distortion if shooting wide open up close. By f/2 this lens gets really sharp and by 2.8 it is as sharp as you could ever need.

The lens provides good color reproduction though it is different from Leica and Zeiss. It has its own “Voigtlander Style”. There will be some CA in high contrast situations when used wide open, but that goes for any Leica fast lens as well..Lux, Noctilux, etc.

At $899 for the black version, it is a steal of a deal. It is a small, compact 49mm filter thread FAST 50mm that is a great performer. Amazing images can be made with this lens, and while it does not offer the biting “perfection across the frame” of the Leica 50 Summilux ASPH, it is over $3000 less expensive, which is quite amazing. If I were buying this lens though, and I did,  I’d go with the Chrome Limited edition and it will go up in value so no need to worry about another lens in your collection to lose money on one day. Keep it for a few years and it will be an in demand item.

As for the Nokton vs the Zeiss Planar or Sonnar, two fast 50′s in the same price range, they offer totally different renderings as well as a different BUILD. The Voigtlander is built MUCH better than the Zeiss ZM line, at least the Chrome version is. Makes the ZM Planar feel like a toy and the Planar has had issues with the focus barrel loosening over time. Still, the Zeiss Planar is a super lens and comes in at $850 or so. The Sonnar is $1100 and has focus shift issues and a 1m min focus distance, but has a gorgeous rendering when you nail it. I would say the best bang for the buck would be the 50 Zeiss Planar ZM if an f/2 lens is good enough for what you need. If you want a more classic look with a tad faster performance and much nicer build and feel, the Nokton rocks it.

Am I disappointed in the Vignetting and distortion when used wide open? Slightly, but if the lens did not have these things it would be 99% of the 50 Lux ASPH. That would just be too good to be true You have to decide if these things are worth $3000 to you. If so, then spring $4000 for the Lux APSH and call it a day.

I love the Nokton 1.5 and I also ADORE my M 240. I still stick with my initial verdict, it is the best digital M to date, hands down no contest and while in a perfect world the M 240 would have a 50 Summilux ASPH glued  on to it, the Nokton is a nice workable alternative at  1/4 the price.

Steve