阿斗这番话说得不错。

纪实的揭露在中国真难。

5号见到了寇德卡，讲座，签名新书，说了不少图片背后的故事，老头英文很不错，没有我想象中的木讷，反而挺能侃，给老头拍了不少片子，也算留个纪念。

寇德卡语录，nomap兄整理：
1，在拍exile的)17年里我没交过房租，没有电话，没有护照，没有车，没有电脑；有了三个孩子，但是没有一个老婆。
2，我的照片有时候冲一晚上，总是存了很多一起冲，有时候用25度水，都不好意思让我的印片师傅多印print，因为太麻烦了。
3,这张照片是我的午饭，那是我曾经深爱女人和我吃的最后一顿午饭，吃完她就走了。7年之后我才发现她为我生了一个孩子。 (关于这张照片，老寇讲了很多，有点动情）

喜欢老寇的作风，更喜欢他的图片。

April 17th - Magnum Photos' 60th Anniversary

Founding Fathers:

http://www_magnumphotos_com/Archive/C.aspx?VP=XSpecific_MAG.StoryDetail_VPage&pid=2TYRYDJBP14W

马格南的※※照片同样精彩!

走过。

经常进来看看。

非常喜欢老寇！！！

还是从网上买了这本书，反正就是Capa的照片，各个时期的，很多，打完折后283元，应该还算值吧，感觉比美国国家地理的In focus好。Capa的照片无可挑剔，但不是很喜欢这样的风格了，更喜欢布列松和一些更具亲和力和视觉愉悦的新近摄影师的。但还是买了这本，为了是Capa的，我觉得爱好摄影的人应该会有这样的想法。

http://www_joyo_com/detail/product.asp?prodid=bkbk507083&ref=SR&uid=168-9112278-9394646

“如果你的照片拍得不够好，那是因为离炮火不够近。”这是最具影响力的战地摄影记者卡帕的一句名言。

1936年西班牙※※，卡帕在战场上拍摄了一个战士中弹将要倒下的一瞬，这幅使人有身临其境之感的作品以《西班牙战士》、《战场的殉难者》、《阵亡的一瞬间》等标题发表，立刻震动了当时的摄影界，成为战争摄影的不朽之作，也成为卡帕的传世之作。1941年，卡帕作为摄影记者从美国来到欧洲，此后转战各大战场，用相机反映西班牙※※、二战、越南战争的实况，照片凝固了光荣、苦难、欢欣或残酷的一瞬。

Book Description
Robert Capa (1913-1954), one of the greatest photographers of the twentieth century and a founding member of the Magnum photographic agency, had the mind of a passionate and committed journalist and the eye of an artist. His lifework, consisting of more than 70,000 negative frames, constitutes an unparalleled documentation of a crucial twenty-two-year period (1932-1954) encompassing some of the most catastrophic and dramatic events of the last century. This book represents the most definitive selection of Robert Capa's work ever published, a collection of 937 photographs selected by Capa's brother, Cornell Capa (himself a noted Life photographer), and his biographer, Richard Whelan, who meticulously re-examined all of Robert Capa's contact sheets to compile this master set of images. This book opens with a biographical introduction illustrated with rare photographs of Capa, and closes with a chronology of his life. The main body of the book presents this definitive collection of 937 of Robert Capa's most important pictures. The photographs, arranged in chronological order and accompanied by commentaries and identifying captions, constitute an in-depth survey of Robert Capa's finest work over the entire course of his career. The pictures reveal the dramatic shifts in location and subject matter that Capa experienced from day to day, representing the trajectory of his life - from war-torn Spain to Picasso on a sunny beach in France; from carousing with Ernest Hemingway in London to Capa's historic images of the Allied landing on Omaha Beach in Normandy in 1944. The book design groups together pictures that constitute a story - for example, the Popular Front rallies in Paris in 1936, or the U.S. Army's entry into Sicily in 1943 - in order to maintain the original coherence of the work. Embodying the spirit of his photographs, Robert Capa's life itself was adventurous, romantic, and tragic. Born in Hungary in 1913, he hoped to become a journalist but was forced to flee to Berlin at the age of seventeen because of his leftist political sympathies. When Hitler became chancellor of Germany in 1933, Capa fled to Paris, the city that would become his home on and off for most of his life. It was there that he met Andre Kertesz, who became a mentor to Capa and introduced him to the extraordinary potential of the 35mm Leica camera as a tool for reportage. Capa also met two other photographers during his early years in Paris: Henri Cartier-Bresson and David "Chim" Szymin, with whom he founded Magnum, the co-operative photo agency, in 1947 along with George Rodger and William Vandivert. For the rest of his life, Capa would devote much of his time to guiding the operations of the Magnum offices in Paris and New York. Throughout the 1930s and World War II, Capa was present at many of the twentieth century's defining events and moments. His first assignment came in 1932, when he was working as a darkroom assistant at Delphot, the important Berlin photo agency. The agency's director, recognizing Capa's talent, lent him a camera and sent him to Copenhagen to photograph exiled Russian revolutionary Leon Trotsky giving a speech to Danish students. From there, Robert Capa went on to photograph the Spanish Civil War, when he made his famous "Falling Soldier" picture showing a Republican soldier collapsing just after being shot. Capa reported on the increasing political tensions in Europe in the mid-1930s, including the Popular Front demonstrations in France, and on the presidential elections in Mexico in 1940 before being accredited by the U.S. Army as a war correspondent for Life. After documenting Londoners' stalwart survival of the Blitz, he went on to cover battles on many of the major fronts in North Africa, Sicily, mainland Italy, France, and Germany. In one of his most famous assignments, Capa landed with the first wave of American troops on Omaha Beach in Normandy on D-Day, June 6, 1944. Wading into the frigid water behind amphibious tanks, and dodging machine gun and rifle bullets, Capa shot 36 exposures before his hands were shaking so badly that he could not insert another roll into the camera. In an ironic twist of fate, a Life darkroom attendant damaged all but eleven of Capa's negatives. After the war, he did various stories for travel magazines and worked on writing projects with friends such as John Steinbeck and the noted journalist Theodore H. White. He also went to Israel several times to document the conflict and co-operation in the founding of the new nation. Capa's last assignment would be a trip to Vietnam to cover the French Indochina War: he was killed when he accidentally stepped on a Vietminh antipersonnel mine in the countryside on May 25, 1954. Though perpetually broke, Capa lived a glamorous life - through a combination of charm, luck, and talent (and an uncontrollable penchant for gambling), he frequented a wealthy circle of celebrities and cultural figures. He fell in love with Ingrid Bergman; was friends with Ernest Hemingway, the director John Huston, and other writers and directors; spent many an afternoon at the racetracks, and enjoyed all-night poker games. Seen together, however, the pictures in this book transcend the specific situations they portray to stand as timeless images of the human condition at its most terrible and inspiring; they are monuments to the strength of the human spirit.

老寇的签书视频 http://www.※※※※※※※.com/watch?v=pJbrFBX8vcs

在※※※※※※※里输入大师们的名字，会发现很多很多的“南海一号”。真是信息时代！

欣赏，留个记号~~~~

惊讶的发现, Magnum 已经开始大量的出现彩色片了,.....可惜国内没有几家冲洗出好的色彩胶卷啊........

撒泡尿

来点好玩的，乐高玩具：

1914, August Sander1936, Robert Capa1954, Robert Frank