唯一的缺点是：那个小显示屏。说明它手动化的不彻底——本应是全金属全玻璃无任何电子元件才好。因为

一旦那个显示屏坏掉了——而这是肯定的，那么这个镜头的收藏意义和二手价格将大幅度贬低。

基本可以肯定这个镜头是0.95里销量最高的一个，先抛开画质和虚化，这是一个微光夜视仪，可以在极暗环境下拍照、摄像，所以原先需要很高代价而现在便宜了很多，从这个角度看这个镜头是高性价比的，没有大口径和一定的体积，标0.95也做不到这一点。 本帖最后由 myst123 于 2019-11-19 08:58 编辑

说到心中，

如果是给F口生产的，

一切都变得简单啦，

可以在F口和Z口之间随意转换使用，

更可以通过转接使用天工那款把MF镜头转变到AF的著名转接环，

这样尼克尔 Z 58mm f/0.95 S Noct就百变各种卡口的神镜：F口、Z口、徕卡M口、徕卡R口、天工自动对焦口、佳能R口、索尼E口（包括天工自动对焦口）......！ 本帖最后由 花冠摄影者 于 2019-11-19 09:09 编辑

F口的菊花支持这样的口径吗？

标  题: 超高速镜头列表
发信站: 水木社区 (Fri Aug  9 15:11:47 2013), 站内
  
居然这么多，国产镜头也榜上有名了。
Some of the fastest camera lenses currently in production as of 2011 are as follows:
  
     Cosina Voigtlander Nokton 17.5mm f/0.95 Micro Four Thirds mount[3]
     Cosina Voigtlander Nokton 25mm f/0.95 Micro Four Thirds mount, announced 26/8/2010[4]
     Leica Noctilux-M 50 mm f/0.95 ASPH announced on September 15, 2008, it is the fastest aspherical lens to have ever reached mass production, with a MSRP of ?6290 (approximately US$10,000).[5]
     SLR Magic HyperPrime LM 50mm T0.95 (f/0.92)
     Noktor 50mm f/0.95 'HyperPrime'[6] a fast CCTV lens design adapted for the Micro Four Thirds system[7]
     SLR Magic 25mm T/0.95
     SLR Magic 35mm T/0.95
  
The following camera lenses are no longer in production as of 2010:
  
     Carl Zeiss Super-Q-Gigantar 40mm f/0.33 Not a real functional lens, a single copy was made by Zeiss PR as a joke for Photokina 1966
     American Optical 81mm f/0.38 Solid Schmidt Mirror lens
     GOI CV 20mm f/0.5 Mirror lens
     Signal Corps Engineering 33mm f/0.6
     GOI Iskra-3 72mm f/0.65 Mirror lens
     Fujinon-IDEAX 125mm f/0.67
     Zeiss Planar 50mm f/0.7 Limited production lens built for the NASA space program, used on 35mm movie cameras by Stanley Kubrick for some candlelit scenes in Barry Lyndon[8]
     Tokyo Kogaku Similar 50mm f/0.7 8 elements in 4 groups, limited produced in 1944 for Japanese Army. (In 1951 another three were produced, two of which were used on a South Pole expedition)
     Kinoptik Lynxar 60mm f/0.7 Reproduction lens, not for photography.
     Wray 64mm f/0.71 Reproduction lens, not for photography.
     LOMO 60mm f/0.75 Reproduction lens, not for photography.
     Aerojet Delft Rayxar 105mm f/0.75 Full Frame aerial photography lens
     Aerojet Delft Rayxar 150mm f/0.75 Medium Format aerial photography lens
     American Optical 43mm f/0.8
     Leica Summar 75mm f/0.85
     Leica Leitz-IR 150mm f/0.85
     Farrand Super Farron 76mm f/0.87
     Farrand Super Farron 150mm f/0.87 Medium Format aerial photography lens
     Рекорд-4 52mm f/0.9
     Nikon TV-Nikkor 35mm f/0.9 Fastest Nikon lens ever made
     Noktor HyperPrime CINE 50mm f/0.92 T0.95, Fastest cinema lens made for 35mm interchangeable lens camera
     Canon 50mm f/0.95 Available in TV and Canon 7 Rangefinder Version
     Astro Berlin 52mm f/0.95
     Perkin Elmer 114mm f/0.95 Medium Format aerial photography lens
     Pacific Optical 25mm f/1.0 Medium Format Fish-eye lens. Only 3 were ever made for the Canadian Government for aurora borealis research in the late 60s/early 70s. One of these lenses was used in the production of the IMAX movie Solarmax
     Leica Noctilux 50mm f/1.0 Leica M mount, discontinued and replaced 2008 with a new Noctilux, see above
     Canon EF 50mm f/1.0 for Canon autofocus SLR, now out of production
     Panavision 50mm f/1.0
     Nikkor-O 50mm f/1.0 Prototype lens for Nikkor-S RangeFinder camera
     Noct-Nikkor 58mm f/1.2
     Leica ELCAN 90mm f/1.0
     Wild Heerbrugg Reconar 98mm f/1.0 Medium Format aerial photography lens
     Kollmorgen 153mm f/1.0
     Zeiss UR 250mm f/1.0
     Canon 8.5–25.5 mm f/1.0 zoom lens, made 1975–1983 for the 310XL Super 8mm silent and sound camera series, fastest lens ever made in Super8, was originally advertised as facilitating "shooting at candlelight" in combination with 160-ASA films.[9]
     Zoomatar 75mm f/1.3
     Zoomatar 180mm f/1.3
     Super-Zoomatar 240mm f/1.2
  
Many very fast lenses exist in C-mount (such as used by CCTVs), including:
  
     Fujinon 50mm f/0.7
     Canon 'TV-16' 25mm f/0.78
     Apollo 25mm f/0.85
     Ernitec 25mm f/0.85
     Fujinon 25mm f/0.85
     Tarcus 25mm f/0.85
     Kern Switar 18mm f/0.9 built for NASA for Apollo Moon landing [10]
     Ampex 'LE610 Television Lens' 25mm f/0.95
     Angenieux 'M1' and 'M2' 25mm f/0.95 NASA used the M1 for first high-resolution photographs of the Moon by Ranger 7)
     Angenieux 35mm f/0.95
     Angenieux 50mm f/0.95
     AstroScope 25mm f/0.95
     Avenir 25mm f/0.95
     Century 'Nighthawk' 25mm f/0.95
     Carl Meyer 25mm f/0.95
     Cinetar 25mm f/0.95
     Goyo Optical 17mm, 25mm, and 50mm f/0.95
     JML 25mm and 50mm f/0.95
     Navitar 25mm and 50mm f/0.95
     Navitron 25mm and 50mm f/0.95
     Schneider Kreuznach 'Xenon' 17mm, 25mm, and 50mm f/0.95
     Senko 25mm and 50mm f/0.95
     Soligor 'Super Elitar' 25mm f/0.95
     Som Berthiot 'Cinor' 25mm and 50mm f/0.95
     Tarcus 'I.T.V. Lens' 50mm f/0.95
     Kowa 50mm f/0.95
     Yakumo 25mm and 50mm f/0.95
     Zeika 'Nominar' 25mm f/0.95
     Dallmeyer 25mm f/0.99 (1930)
     Astro Berlin 25mm f/1.0
     Astro Berlin 'Tachonar' 35mm f/1.0
     Carl Meyer 38mm f/1.0
     RTH (Rank/Taylor Hobson) Monital 130mm f/1.0 made by SOPELEM in France
  
Very fast lenses in D-mount for 8mm movie use on H8 cameras:
  
     Kern Switar 13mm f/0.9
     Cinetor 'TELE-PHOTO' 37.5mm f/1.0
     Walz 'TELEPHOTO' 37.5mm f/1.0
     Amitar 'Telephoto' 38.1mm f/1.0
  
Very fast lenses used in x-ray machines:
  
     Zeiss R-Biotar 100mm f/0.73
     LOMO 100mm f/0.73
     Canon 50mm/65mm f/0.75
     Leitz 50mm/65mm f/0.75
     Rayxar 50mm/65mm/150mm f/0.75
     Tachon Astro-Berlin 65mm f/0.75
     Rodenstock XR-Heligon 42mm/50mm f/0.75
     Rodenstock XR-Heligon 68mm f/0.95 etc.
     Kowa 42mm/65mm f/0.75
     Carl Zeiss Jena 50mm f/0.77
     Kowa 55mm f/0.8
     Zeiss R-Biotar 55mm f/0.85
     Lenzar Optics 184.6mm f/0.9 (Photographic lens made by Lenzar Optics Corp., Riviera Beach FL, f0.9–f8)
     Kowa 33.5mm f/0.95
     Kowa 55mm f/1.0
     Rodenstock Heligon 68mm f/1.0
     Canon 90mm f/1.0
     Fuji 90mm f/1.0
     Kowa 90mm f/1.0
     Leitz 90mm f/1.0
     Mt Prospect 90mm f/1.0
     Zeiss R-Biotar 120mm f/1.0

多數的超大光圈鏡頭都只是为了超大光圈，实际成像非常差，我就有一些是可以视为垃圾的，譬如Astro Berlin的那些光圈大于0.9的。

“考虑利用尼康F口的那款著名的58mmF1.2镜头采用类似的设计增光到F0.95的效果不是不可能”
你怎么会有这样的联想呢？尼康做58G的时候为什么不上F1.2？就是因为素质不行！现在，你竟然可以神奇地做F卡口做0.95，那还有什么素质标杆可言？只为了一个没有素质的大光圈？是不是做0.75都有希望了？

那是一定的，

那仅是我回复你F口能否的讨论。

那仅仅是在说光圈值能否的问题而不是说厂家做成什么和画质如何的问题，

这些是论坛交流而不是厂家研究人员的设计方案研究会议的文案，

大家都是随心而言，

我认为你也是随心而辩。

我预定的镜头明天下午到货
本帖由IOS客户端发布

其实尼康早在胶片旁轴时代就出过一个50mm/1.1

大佬别介意，我只是觉得没必要为了这点光圈盲目发热而已。
当然了，消费是看需求的，理性与否于每个人的评判标准不同。

1.4起步 光圈大一档  玻璃片就不是在一个档次了  价格起码翻二  镜头大厂的选材和工艺之标准! 没有二选....  国产的中一当我没说....
   价格是硬道理  厂家不傻  也不会过分的忽悠消费者的   比如徕卡的50/2 AA    就不是50/1.4A   50/2A 可随便比较的  好镜头讲究的是成像的色彩氛围和还原力  分辨率高和傻锐的镜头最多只能算入门级的牛头吧....佳能 尼康的200定  一样不是任何一款702可随便来PK的.....

花几十万买了可高感的飞思  总还是嫌ISO还不够低......明白？