楼主带点角度拍拍看，紫边在焦外出现的概率大哦～
角度越小越考验镜头。

实拍Ｆ２锐度感觉足够满意了，收到Ｆ２．８真的是stunning了

金色兄，你这样放毒法，这个头又经涨价了，我还没进呢~

哇～～
NB的！！那么锐，多少光圈啊？
楼主试试这样，室内光开内闪全开光圈拍一张：）

试镜片2

玫瑰是??

:-(

人家都说啦:180以上的有了啦～

真希望Nikon出85mm的新版啊～～

尼康定焦头中有ED玻璃片的不止180/2.8D, 还有:14/2.8D,200/2G, 200/4D Micro, 300/2.8,  300/2.8D, 300/4D, 400/2.8D, 500/4D, 600/4D.

好头啊。流口水……

好毒的镜头！

金DX发点MM毒毒我们呀,说不定也弄个玩玩

这头也没有ED，可能大光圈下紫边也很严重吧，楼主有没有试过呢？

好头呀，眼馋~~

再加一点钱,人像的终极:85F1.4,135F2 DC.

Nikkor 105mm f/2D DC是挪威著名摄影家兼尼康器材测试专家Bjorn Rorslett评价最高、也最喜欢的一只镜头。他对尼康的所有镜头做过测试，一般都写下简洁的评语，只有对105mm f/2D DC的评语写得最长，而且毫不吝啬赞美之词。下面是他评语的原文：
105mm f/2D DC AF: 5
The 105/2 is the shorter of the two Nikkors offering a defocus control (DC) feature, and possibly a better performer than the longer 135/2 DC.（此处说105DC胜过135DC）In fact, the 105 DC gives a true stellar optical performance and is one of the finest Nikkors ever made.（尼康有史以来最好的镜头之一）It comes in a professional-looking crinkle finish and the construction is metal rather than plastics - thank you, Nikon. However, all numerals and lettering on its barrel are just printed, not engraved, which is a pity considering the elevated price this lens commands.
    Its optical design includes rear element (RF) focusing, which is a special case of internal (IF) focusing, so the length of the lens won't change while it is focused. The near limit is 0.9 m, which allows for tightly composed shots. AF operation is fairly quick but not noise-free. As manual focusing is fast and easy thanks to a generously sized focusing collar, the AF performance isn't an issue at all and focusing the lens manually probably will be the preferred option (at least, for me). In common with other high-speed lenses, the 105/2 DC snaps positively into focus. You can be assured of high-quality imagery even at f/2, and from f/2.8-f/4 picture quality is stunning. Beyond f/5.6 performance begins to decline, so this is clearly a lens built for speed. Across the entire aperture range, image contrast is high and colours are vividly rendered. The RF system, however, may introduce slight colour fringing in highlights outside the focused zone. Many IF lenses exhibit this trait.
    There is a sliding-out sunshade, which, fortunately, can be screwed firmly into place. Be aware though that the threads are finely pitched and the hood occasionally gets stuck in the locked position. The lens has a 72 mm filter size, which is at variance with the current 77 mm standard for the Nikon professional lens line, but the smaller size does keep the lens more compact. The front element is deeply recessed and the propensity for lens flare is low. Even under adverse light situations there is virtually no ghosting either, so this is a perfect lens for available-light shooting. The superb optical performance at wide aperture settings helps in this respect, too. Geometric distortion is virtually non-existent, a desirable trait if you are into architectural photography or suchlike applications.
    The DC feature actually is a user-controllable over- or undercorrection of residual spherical aberration in the out-of-focus zones. A rotating collar adjacent to the focusing ring allows setting DC to operate in front of, or to the rear of, the plane on which the lens is focused. In conjunction with a nicely rounded aperture opening, this allows the bokeh of the image to be precisely managed. If the DC setting coincides with the selected aperture, nicely glowing highlights and pleasingly smooth images are obtained, but still a biting sharpness is present in the image. You can go one further by maxing out the DC setting to get very visible softening of the non-focused areas. This depends on using quite wide apertures because the deliberately introduced spherical aberration is largely eliminated when the lens is stopped well down. The best effects are obtained in the f/2 to f/5.6 range. It is difficult to envision the optical effects from defocusing the image unless you practice this for a while. Each alteration of the DC setting demands refocusing the lens so operating the 105/2 in DC mode can be cumbersome for the novice user.
    I just recently acquired this lens, but it has quickly become one of my favourite lenses on D1X.（我是最近才得到这只镜头，但却很快成为我最喜欢的镜头之一）For my own shooting with the 105/2, I tend to work with the defocus control switched off. However, DC is a nifty feature when the need for it arises, such as in portraiture, and being incorporated in the lens design, DC is literally at your fingertips, with no extras needed.