主题：#辉煌的80s - 聊聊八零年代的欧美音乐（Season 2）
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原文由 辘轳仙影 在2011-09-12 16:54发表
不错吧？
不错不错。
今天下午去河边钓鱼，没钓到鱼，倒是钓到两只螃蟹，下酒菜有了，呵呵。
祝各位中秋快乐。
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2003 帖
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2002 帖
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1999 帖
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1998 帖
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1997 帖
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1996 帖
是Stevie Vai,不管是翻唱还是致敬，毕竟要重演绎，再创作，否则和原唱一式一样就没意思了，呵呵。
Mary J. Blige还是属于那种唱功非常好的女歌手，你说煽情不错，她以前和Sting合唱过的一曲我映像很深，就是很煽情，改天把DVD找出来和大家分享。
Mary J. Blige还是属于那种唱功非常好的女歌手，你说煽情不错，她以前和Sting合唱过的一曲我映像很深，就是很煽情，改天把DVD找出来和大家分享。
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1995 帖
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1994 帖
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1993 帖
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1992 帖
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1991 帖
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1990 帖
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1989 帖
原文由 颠覆的信仰 在2011-08-31 13:41发表
咳咳 严肃哈
一贯很严肃的哈。
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1988 帖
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1987 帖
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1986 帖
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1985 帖
雅虎上看到。
The LP comes of age: Quieter and better-sounding than ever
By: Steve Guttenberg AUGUST 28, 2011 11:01 AM PDT
As any record buyer knows, LP quality varies a lot. I'm not just referring to the dusty old records sold at yard sales; some new records have noisy grooves, clicks and pops, or they're not flat. Those imperfections are common vinyl woes; making consistently quiet records has never been easy. That's why I was thrilled to hear that Quality Record Pressings (QRP), in Salina, Kansas, employs the most advanced technology ever used to manufacture LPs. The proof is in the listening, and the sound is spectacular.
Gary Salstrom inspects the plating of a newly minted master at Quality Record Pressings
(Credit: Tom Dorsey/The Salina Journal)
I spoke with QRP's Chad Kassem about the undertaking, which he started planning two years ago. Temperature control of the vinyl through the entire pressing process is key, and while other plants' record pressing machines are allowed a certain predetermined amount of time to squeeze the heated vinyl into a record, QRP uses a double-steam-valve system that reduces cycle time and closely monitors the actual temperature of the vinyl within the press. That's important, because it's the temperature variations in pressing that result in record inconsistency and noise. Each QRP LP is visually inspected, and from time-to-time during a production run someone listens to a freshly pressed LP to ensure the quality is consistent.
Before we go any further I should explain that QRP doesn't cut the original analog lacquer disc from which all the LPs will be made. That's the mastering engineer's job, which is probably done in New York or Los Angeles (or a few other cities around the country). The lacquer master is shipped to QRP, where Gary Salstrom electroplates it with nickel, and after a few intermediate steps produces "stampers." The stamper is the mold within the press that creates the vinyl records. The QRP Web site has a video that takes you through the complete process, from analog master tape to finished LP. Of course, LPs can also be made from digital masters, but again, that would occur before QRP's involvement.
Kassem sent a few LPs over, and I have to say they were all pretty stellar. Bluesman Freddie King's 1971 "Getting Ready..." LP rocked with a vengeance. It's no audiophile recording, but the pure analog sound and straightforward recording technique let the music speak for itself. Ah, yes, it was made in the days before Pro Tools, Auto-Tune, and click tracks were required to make music; all you needed was a great band and good songs. The King record has an immediacy that few contemporary recordings can match, and with the QRP vinyl you'll get so much closer to the sound of the analog master tape.
Ray Charles' 1964 recording, "Live in Concert," is one of my favorite LPs, and it just recently came out on CD for the first time. That's nice, but the QRP vinyl gives a very different, and far more musical rendition of his performance. I could feel that Charles was really leading his swinging band, and his reaching, pleading, and ultimately powerful voice was dramatically more present on the LP. It's the weirdest thing, I've listened to my original LP a zillion times, but this was not only quieter, the sound of Charles and the band were so much more three-dimensionally present than before. The sound improvements are similar to what you hear from a better-sounding phono cartridge.
While the QRP LPs were exceptionally quiet I don't want to give the impression that they are as quiet as CDs, they're not. If you crave dead silence, stick with digital media. This much I can say: the QRP LPs sound better than the vast majority of the records in my collection. I applaud their dedication to elevating the art of manufacturing LPs.
Vinyl's comeback is showing no signs of slowing down, and pressing plants around the country are running full-tilt. QRP makes records for Kassem's online record store, Acoustic Sounds, but it's not a closed shop; Blue Note Japan, Sony, Sundazed, Warner Brothers, and other labels are having some of their LPs made by QRP. If you're a musician or you're in a band that releases LPs, you can get your records pressed at QRP.
[crowspal 编辑于 2011-09-02 21:16]
The LP comes of age: Quieter and better-sounding than ever
By: Steve Guttenberg AUGUST 28, 2011 11:01 AM PDT
As any record buyer knows, LP quality varies a lot. I'm not just referring to the dusty old records sold at yard sales; some new records have noisy grooves, clicks and pops, or they're not flat. Those imperfections are common vinyl woes; making consistently quiet records has never been easy. That's why I was thrilled to hear that Quality Record Pressings (QRP), in Salina, Kansas, employs the most advanced technology ever used to manufacture LPs. The proof is in the listening, and the sound is spectacular.
(Credit: Tom Dorsey/The Salina Journal)
I spoke with QRP's Chad Kassem about the undertaking, which he started planning two years ago. Temperature control of the vinyl through the entire pressing process is key, and while other plants' record pressing machines are allowed a certain predetermined amount of time to squeeze the heated vinyl into a record, QRP uses a double-steam-valve system that reduces cycle time and closely monitors the actual temperature of the vinyl within the press. That's important, because it's the temperature variations in pressing that result in record inconsistency and noise. Each QRP LP is visually inspected, and from time-to-time during a production run someone listens to a freshly pressed LP to ensure the quality is consistent.
Before we go any further I should explain that QRP doesn't cut the original analog lacquer disc from which all the LPs will be made. That's the mastering engineer's job, which is probably done in New York or Los Angeles (or a few other cities around the country). The lacquer master is shipped to QRP, where Gary Salstrom electroplates it with nickel, and after a few intermediate steps produces "stampers." The stamper is the mold within the press that creates the vinyl records. The QRP Web site has a video that takes you through the complete process, from analog master tape to finished LP. Of course, LPs can also be made from digital masters, but again, that would occur before QRP's involvement.
Kassem sent a few LPs over, and I have to say they were all pretty stellar. Bluesman Freddie King's 1971 "Getting Ready..." LP rocked with a vengeance. It's no audiophile recording, but the pure analog sound and straightforward recording technique let the music speak for itself. Ah, yes, it was made in the days before Pro Tools, Auto-Tune, and click tracks were required to make music; all you needed was a great band and good songs. The King record has an immediacy that few contemporary recordings can match, and with the QRP vinyl you'll get so much closer to the sound of the analog master tape.
Ray Charles' 1964 recording, "Live in Concert," is one of my favorite LPs, and it just recently came out on CD for the first time. That's nice, but the QRP vinyl gives a very different, and far more musical rendition of his performance. I could feel that Charles was really leading his swinging band, and his reaching, pleading, and ultimately powerful voice was dramatically more present on the LP. It's the weirdest thing, I've listened to my original LP a zillion times, but this was not only quieter, the sound of Charles and the band were so much more three-dimensionally present than before. The sound improvements are similar to what you hear from a better-sounding phono cartridge.
While the QRP LPs were exceptionally quiet I don't want to give the impression that they are as quiet as CDs, they're not. If you crave dead silence, stick with digital media. This much I can say: the QRP LPs sound better than the vast majority of the records in my collection. I applaud their dedication to elevating the art of manufacturing LPs.
Vinyl's comeback is showing no signs of slowing down, and pressing plants around the country are running full-tilt. QRP makes records for Kassem's online record store, Acoustic Sounds, but it's not a closed shop; Blue Note Japan, Sony, Sundazed, Warner Brothers, and other labels are having some of their LPs made by QRP. If you're a musician or you're in a band that releases LPs, you can get your records pressed at QRP.
[crowspal 编辑于 2011-09-02 21:16]
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1984 帖
[flash]http://player_youku_com/player.php/sid/XMjczMjk1OTUy/v.swf[/flash]
Dave Matthews Band featuring John Mayer
这个组合不错，我喜欢。 优酷原帖没有写歌名，但喜欢Dave Matthews的肯定熟悉。
Dave Matthews Band featuring John Mayer
这个组合不错，我喜欢。 优酷原帖没有写歌名，但喜欢Dave Matthews的肯定熟悉。
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1983 帖
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1982 帖
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1981 帖
原文由 辘轳仙影 在2011-08-22 23:40发表
失身？失忆？
咳咳 严肃哈
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1980 帖
下面这首Wonderful tonight我最喜欢的版本来自Eric 1991年在 Royal Albert Hall的现场，记得是92年买的磁带共两盘，里边大段的solo非常过瘾。
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1979 帖
原文由 上柱国 在2011-08-28 09:54发表
1976年9月7日新婚的Eric Clapton和Pattie准备去参加Paul McCartney和Linda McCartney举办的party，Eric Clapton在等待Pattie化妆的时候为他美丽的妻子创作了经典的『Wonderful Tonight』，Eric Clapton在歌曲中为我们描绘了这样一幅场景：
好歌。
那时候他们还没正式结婚吧？
登录后可直接显示原图
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1978 帖
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1977 帖
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1976 帖
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1975 帖
原文由 crowspal 在2011-08-22 22:41发表
不要瞎联想! MM比你我小一轮多呢，正经小姑娘，想换职业方向，找我谈谈。我喝多了，酒量不如她，而且一喝多就失忆。
记得我提议我送她回家，怕她父母担心，后来变成她送我，最后的记忆是拉着手在我小区里边聊边走，此后我什么都不知道了.
失身？失忆？
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1974 帖
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