国外的涨价7%,有些俏货还是缺货的,高兴了就给你几盒,有得玩儿就很不错了,总比国货用起来放心.

NEW SEAGULL GF Fiber-based Paper Graded
日本 新海鸥GF相纸 资料 (仅有英文版本 遗憾）New Seagull GF is the finest paper to be produced by current photographic materials technology. On a thick, strong baryta base paper, images with sharp, vivid highlight, deep shadows and between them unlimited shades of gray are produced which have received the highest praise from photographers around the world. New Seagull GF is a black white paper,which has reached the peak of quality and has achieved the highest reputation. New Seagull GF paper can be used for archiving, original prints, exhibition prints and for other special uses.

Type of Paper
Type: GF
Base Paper: Fiber-Based
Weight: Double
Texture: Glossy, smooth
Tint: White
Image Tone: Jet-Black
Grade: 2 and 3

Safelights
For general use enlargers with yellow-green filters, 20W bulbs should be used and the safelight should be at least 1.2 meter from the enlarger.
New Seagull GF is a high-sensitive paper and should not exposed more than 5 minutes.
Be careful with prints after they have been exposed.

Exposure
Correct exposure times depend on the characteristics of the negatives being printed.
To get good final prints, various exposure levels should be tested first.

*Sensitivity and Gradient
Grade 2: ISO Speed = P500, ISO Range = R100
Grade 3: ISO Speed = P400, ISO Range = R80

*Standard Processing Conditions

Process Processing Temperature Processing Time
Development 24 ± 0.5℃ 90 ～ 120 sec
Stop Bath 18 ～ 26℃ 15 ～ 30 sec
Fixing 18 ～ 26℃ 30 ～ 60 sec
Washing 18 ～ 26℃ 60 ～ 90 min
Drying Natural drying or below 50 ℃

Developing
Almost all of the widely used commercially available developers for use with regular printing paper can be used (D-72,etc.) and will retain their usual characteristics.
The developing conditions depend on the chemicals and dilution level of the developer.
Care should be taken to avoid over-developing which raises the fog and lowers contrast.

Stop bath
For the stop bath, a solution of 1.5% of glacial acetic is used.
Time : 15~30 seconds. Water: 1 liter. Glacial acetic acid : 19 ml

Fixer
Prepared fixer is recommended but, if you are preparing your own fixer, either use an acid hardening fixer containing sodium thiosulfate (hypo) or a rapid fixer containing ammonium thiosulfate.
Fixing is either a one-bath or a two-bath process. Keep the total fixing time to 10 minutes or less. If the time exceeds 10 minutes, there will be bleaching of the shadow image and a slight softening of gradation.
If you use a rapid fixer containing ammonium thiosulphate, fixing time should be kept to within 2 minutes.

Washing
Prints should be washed for 60～90 minutes. While they are in the bath, take care that the prints do not become placed one on top of the other.
If you use a hypo-cleaning agent, washing time can be reduced by half. For shortening washing time, after fixing, wash in running water for 5 minutes.
Then use a 2 % anhydrous sodium sulfite solution at 20℃ for 2～3 minutes and wash in running water for 45 minutes.

Drying
For drying prints, natural drying shoud be used. Place the prints on a clean surface and drain the water off.
Then dry them by placing them on glass or some other suitable surface.
If you are using a Ferro-type dryer, dry the prints using a wetting agent to remove drops of water and then slowly dry at surface temperatures of 50℃ or less.
If the prints are dried too rapidly, the Ferro-type dryer works less effectively and the maximum density tones of the image will be affected.
If you have used a rapid fixer containing ammonium thiosuphate, you should not use a Ferro-type dryer.

Toning
The prints can be toned using in a wide variety of ways.
They are not easily damaged by contaminants and the intensity if the image is seldom lowered.
However, it is important to remember that it is better a new non-hardening fixer and use a hypo-cleaning agent.
If the objective is to store photographic images for long period of time, selenium toners are recommended which further enhance the contrast of the shadow tones and lengthen the life of the photographic image.

Storage
Always store photographic paper in a cool, dry place.
It is also effective to put a desiccant in a package which has been opened to keep the paper dry.
The paper should be used quickly after the package has been opened. Be careful to avoid exposing the paper for long periods to a safelight, or letting the emulsion side come into contact with fingers.

摘自：日本ORIENTAL PHOTO CORPORATION（东方摄影公司）官网
http://www_orientalphoto_co_jp/english/products/nsg-gf.htm

本帖最后由 黑白无言 于 2013-5-17 06:22 编辑

北京有个百合黑白摄影网，与百合黑白相纸中文相字号相同，不知两者是否有联系。
网址http://www_iheibai_com/forum.php?mod=forumdisplay&fid=2
(前贴文字打错了，抱歉）

本帖最后由 黑白无言 于 2013-5-13 05:56 编辑

暖调系列 131细节丰富，132情绪饱满。漂白反应敏感，调色变化多。

其它正常调和艺术纸没用过。

产品线极其丰富，与依尔福不相上下。价格并不便宜。

得到四婶肯定那肯定不错！

目前常被使用的Baryta相紙(通稱FB相紙)種類有：

固定號數黑白相紙：
1.日本製 ORIENTALNEWSEAGULLG
2.日本製 三菱月光FD
3.英國製 ILFORDGALERIEKENTMERE
4.美國製 KODAKELITEFINEART
5.德國製 BROVIRA
6.德國製 RECORD-RAPID
7.德國製 PROTRIGA-RAPID
8.匈牙利製 FORTEZO

多重反差黑白相紙：
1.日本製 ORIENTALNEWSEAGULLVC
2.英國製 llfordMutigradeFB
3.美國製 柯達PolyFlberPaper
4.法國製 BERGGERVARIABL
5.匈牙利製 POLYGRADE-VFB
6.英國製 KENTMEREFINEPRINTVC

彩色相紙：
1.柯達 DyeTransfer、超亮麗相紙
2.伊爾福 (ILFORD)CIBACHROMEGLOSSY
3.富士 RCP
4.富士 R34型相紙

镭射噴墨系列(黑白彩色均適用)：
1.美國製 Museo
2.德國製 Hahnemuhle
3.英國製 Innova
4.法國製 Canson
5.美國製 MOAB
6.英國製 LYSON
7.法國製 BERGGER
8.日本製 EPSON

以上摘自台湾网站 良远艺术 高品质黑白照片制作《相紙的種類、特性和選擇》
http://www_lotusarts_com_tw/archival/bw2.htm#three

凯锐纸现在还能买到kentona吗？ 好像都是fineprint和select了，我也是听说kentona好。

谢啦~~
现在有什么性价比比较好的纸基纸推荐吗？

现在已经没有agfa的相纸了吧？

干燥变暗据我观察光面纸尽管有一点，但并不至于影响曝光显影设置，但亚光面的纸非常严重，严重到水洗的时候看着是一张满意的片子，干了以后发现过头了。我的意思是光面纸不必过于理会，毛面纸则必须要参考这个变化，尤其对于加光的操作很容易画蛇添足…………
1620以上的片子我不确定 本帖最后由 注个马甲讲真话 于 2013-4-28 11:15 编辑

只用过乐凯涂塑光面，表示非常不能让人满意。。。
不知道以前，很早的时候，比如建国初期，都用什么相纸？
家里翻出来一张解放前的照片，感觉调调非常丰富而舒服，在想那个时候用的什么相纸呢？那个时候冲洗用蒸馏水吗？

我看那段引用文字的上下句关系，应该说的是百合的定号FB吧。不过也不能一味相信书相信老外，反正我看是百合的冷白一些，这个必须申明我是拿到阳光底下看的留白边，不是图像内，图像的调子那个是随曝光和显影时间有明显变化的。

这事可能跟检视灯有点关系，刚出锅的片子第一眼很重要，即使以后到了阳光下，第一眼的感受还会一直印在脑子里并影响对片子整体的判断，所以这个检视灯好像蛮有学问。我用的是两盏宜家的卤素泡的台灯，灯泡因为又贵又寿命短，现在都是用从淘宝买的欧司朗的磨砂泡，光比较柔和。有没有更好的可以用作检视灯的推荐？