117. Marc ShaimanShaiman started his career as a theatre/cabaret musical director. He then became vocal arranger for Bette Midler, eventually becoming her musical director and co-producer of many of her recordings, including The Wind Beneath My Wings and From a Distance. He helped create the material for her Emmy Award winning performance on the penultimate Tonight Show with Johnny Carson. His work with both Bette Midler and Billy Crystal led to his involvement on their films.

His film credits include Broadcast News, Beaches, When Harry Met Sally..., City Slickers, The Addams Family, Sister Act, Sleepless in Seattle, A Few Good Men, The American President, The First Wives Club, George of the Jungle, In & Out, Patch Adams, South Park: Bigger, Longer & Uncut, Team America: World Police and HBO's From the Earth to the Moon, and 61*. He frequently works on films by Billy Crystal, Rob Reiner, and Trey Parker He has also appeared in many of these films.

Shaiman has earned five Academy Award nominations, a Tony Award and a Grammy Award for his work on the musical Hairspray, and an Emmy Award for co-writing Billy Crystal's Academy Award performances. He has also been Grammy nominated twice for his arrangements for Harry Connick Jr.'s recordings When Harry Met Sally... and We Are in Love and Emmy nominated for his work on Saturday Night Live. In 2002, he was honored with the "Outstanding Achievement in Music-In-Film" award at The Hollywood Film Festival, and in 2007 he was honored with ASCAP's Henry Mancini Award in recognition of his outstanding achievements and contributions to the music of film and television. He is the first recipient of the Film & TV Music Award for Best Score for a Comedy Feature Film.

Fans of Saturday Night Live may recognize Shaiman as Skip St. Thomas, the accompanying pianist for The Sweeney Sisters, a singing duo played by Nora Dunn and Jan Hooks. He began his professional relationships with Billy Crystal and Martin Short during his tenure at SNL. He wrote and sang a song for his agent's film Finding Kraftland; the song was called Yes.

To protest the passage of California Proposition 8 in November 2008, Shaiman wrote a satiric mini-musical called "Prop 8 — The Musical". The 3-minute video was was distributed on the internet at FunnyOrDie_com beginning on December 3, 2008. It was written and produced in just a few days. The cast includes Jack Black (who plays Jesus), Neil Patrick Harris, John C. Reilly, Allison Janney, Andy Richter, Maya Rudolph, Margaret Cho, Rashida Jones and other celebrities. Shaiman plays the piano and appears briefly on the video. It received 1.2 million internet hits in its first day

01. 终结者2  作曲：Brad Fiedel

终结者，科幻片里的经典系列之一。卡梅隆成名之作，也许是他没钱请更好的作曲家配吧，就请了个不知名的，而且录音也不太好。不过，虾米中的音质就更差了。这张碟我有SACD，音效还是不错的。
压抑而沉闷的弦律混合着电子打击乐器的越来越快的声效，营造出了一副未日的感觉，又仿佛是邪恶的终结者越来越近了。这个音乐因此成为科幻电影中经典弦律之一。
作曲家要傍上卡梅隆这样的大佬，一般般的都能出名啊!
[flash]http://www_xiami_com/widget/2620148_1768996252,1768996271,_235_300_FF8719_494949_0/multiPlayer.swf[/flash]

人像整这么小的光圈干什么？镜头可以再拉近啊！
另外拍人像要更注意后期，尽量修一修脸上的缺陷，只要不显得假就行（人文可以不管）。

神情抓得还不错，感光度太高了，涂抹了，为何不用光圈4把感光度降点呢。
如果要评摄影作品，其实还是到我的贴图贴里更好些，这个歪楼啊！
以你听音乐的修养，应该多多评评我这里的电影音乐如何，这个才是你的专长！
https://forum.xitek.com/thread-1396081-1-1-1.html

再来一张

116. Brad Ira FiedelBrad Ira Fiedel (born March 10, 1951 in New York City) is an American movie music composer. A popular and progressive composer in the 1980s, he worked on several successful movies, predominantly in the action and thriller genres, and pioneered the use of electronic instruments and synthesizers - almost disappearing from the mainstream at the end of the 1990s.

He began his career in film in the late 1970s, and wrote extensively for TV movies and minor cinema releases, until director James Cameron hired him to score a sci-fi film called The Terminator in 1984, setting the wheels in motion for a successful career. The film went on to become one of the box office hits of its decade, launched the film career of the Austrian bodybuilder Arnold Schwarzenegger, and gave Fiedel his entry in the annals of movie music history — the metallic, pounding main theme has since become the defining work of his career.

Since then Fiedel has scored many popular and successful movies, including Fright Night (1985) and its sequel Fright Night II (1988), The Big Easy (1987), The Serpent and the Rainbow (1988), The Accused (1988), Blue Steel (1990), Terminator 2: Judgment Day (1991), Blink (1994) and True Lies (1994), although in recent years, Fiedel has not been in demand as much as he once was. His last major theatrical score was in 1995, and although he enjoyed a brief period of renewed interest following the release of Terminator 3 in 2003, when Marco Beltrami wrote an orchestral arrangement of his theme, he shows no sign of returning to the movie music field.

Fiedel is married to the actress Ann Dusenberry.

佳能镜头和机身成像就这样了？你没觉得颜色无让人无法直视了么？
你没有懂我的意思，我的意见是：你的照片的进步里很多还是器材的进步。真正重要的东西还是需要练习和体会。另外，花花草草就是玩一下而已，测评镜头啥的用用。我再一次建议你把镜头对着人，从你身边的人开始，或者，就从完全陌生的人开始（不过要小心挨白眼啥的）。 本帖最后由 zjize 于 2015-5-6 13:44 编辑

在看啥？？好神态。

长老竟然能看出机身和镜头的优劣？？i服了you.......
首先说的是，没经过后期，色彩就是这样子滴......夸张？何出此言？？？？？？？？？？

谢谢！正是小女！

再来一张湿湿

这张其实挺好的，再凑近一点，光圈在大点，让背景更虚化更柔和就完美了。。。。。。

这张没有什么好看的，技术上没有任何的长处。只不过镜头和机器好些罢了。颜色过于夸张了。

知道构图了，小样！但还是很乱，不用拍这么多，强调一朵或两朵就好了，其余的要虚掉。
另外，知道不用2.8了，很好。

我进步了........